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As China is rapidly reemerging as the world's dominant economic powerhouse that it had been until the mid-eighteenth century, interest in its religions and philosophies is on the rise. Just as the history and culture of Western civilizations can hardly be grasped without a measure of knowledge about Christianity, an understanding of Chinese civilization and its history seems impossible without some comprehension of Daoism. Though it has long been clear that modern Daoism has its roots in Daoist movements of the Qing dynasty (1644-1911), research on premodern Daoism had been largely neglected.…mehr

Produktbeschreibung
As China is rapidly reemerging as the world's dominant economic powerhouse that it had been until the mid-eighteenth century, interest in its religions and philosophies is on the rise. Just as the history and culture of Western civilizations can hardly be grasped without a measure of knowledge about Christianity, an understanding of Chinese civilization and its history seems impossible without some comprehension of Daoism. Though it has long been clear that modern Daoism has its roots in Daoist movements of the Qing dynasty (1644-1911), research on premodern Daoism had been largely neglected. Published in six languages (Italian, French, English, German, Chinese, and Japanese), the pioneering studies by Monica Esposito (1962-2011) on Qing Daoism have been instrumental in kindling keen scholarly interest both in the West and in China and Japan. This book presents corrected and augmented versions of three of Dr Esposito's seminal articles that had originally been published in English ("Daoism in the Qing," "The Longmen School and its Controversial History," and "Longmen Daoism in Qing China: Doctrinal Ideal and Local Reality") along with English versions of two articles that had hitherto only been available in Japanese and Chinese: "Beheading the Red Dragon: The Heart of Feminine Alchemy" and "An Example of Daoist and Tantric Interaction during the Qing Dynasty: The Longmen xinzong." In addition, this volume contains a bibliography of all her publications and a detailed index.
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Autorenporträt
Born in Italy's port city of Genova, Monica Esposito studied Chinese at the Università Ca'Foscari in Venice and Fudan University in Shanghai. After numerous prolonged sojourns in China during which she developed a deep interest in China's religious practices and their history, she published her first book in 1987 (La pratica del Qigong in Cina) and continued her studies in Paris under the direction of Isabelle Robinet, the noted specialist of Daoism. Her Ph.D. thesis on the Longmen tradition of Daoism (La Porte du Dragon, 1993), a pioneering deconstruction of a dominant foundation myth of modern Daoism, has become a classic in the field.From 1997 to 2011, Dr Esposito pursued her research in Japan, first as a postdoctoral fellow at Kansai University and then as Associate Professor at Kyoto University's Institute for Research in Humanities. In addition to six documentary films she published groundbreaking articles in English, Japanese, and Chinese that established her reputation as one of the world's foremost scholars of Daoism. She founded and directed the International Daozang jiyao Project with over sixty scientific collaborators studying this most important and voluminous canon of Daoist texts of the Qing dynasty. Creative Daoism presents the sum of twenty-five years of research.