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"Meghan Lamb's debut novel is a marvel. It's an indelible portrait of a nearly forgotten place, full of stunted lives and desperate hopes, decaying homes and fading memories, ghostly presences brought vividly to life. It's a timely exploration of the failures that seep into our lives like slow leaks and the systems that intensify them. It's a haunted landscape made luminous by Lamb's exquisite prose."-Jeff Jackson, author of Destroy All Monsters "Failure to Thrive captures slow collapse like nothing else I've read. It is packed with heartbreakingly acute observation, and yet it is uncrowded…mehr

Produktbeschreibung
"Meghan Lamb's debut novel is a marvel. It's an indelible portrait of a nearly forgotten place, full of stunted lives and desperate hopes, decaying homes and fading memories, ghostly presences brought vividly to life. It's a timely exploration of the failures that seep into our lives like slow leaks and the systems that intensify them. It's a haunted landscape made luminous by Lamb's exquisite prose."-Jeff Jackson, author of Destroy All Monsters "Failure to Thrive captures slow collapse like nothing else I've read. It is packed with heartbreakingly acute observation, and yet it is uncrowded and spacious, with a gauzy, hallucinatory quality. Both expansive and economical, it does more with the form of the novel than most books will ever attempt. It's a gem glittering in the dark."-Lindsay Lerman, author of I'm From Nowhere "Meghan Lamb is such an exquisite, comprehensively intelligent, dreamy writer. Failure to Thrive exudes utmost pleasure and a defying ache from every dot of its ink, like the sun."-Dennis Cooper, author of The Marbled Swarm
Autorenporträt
Meghan Lamb is the author of COWARD, Failure to Thrive (Apocalypse Party, 2021), All of Your Most Private Places (Spork Press, 2020), and Silk Flowers (Birds of Lace, 2017). She served as the Philip Roth Writer-in-Residence at Bucknell University in 2018, and has led creative workshops at the University of Chicago, Eötvös Loránd University, Interlochen Center for the Arts, and Washington University in St. Louis. Her work has appeared in Quarterly West, DIAGRAM, Redivider, and Passages North, among other publications. She currently serves as the nonfiction editor of Nat. Brut, a Whiting Award-winning journal of art and literature dedicated to advancing inclusivity in all creative fields.