First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
List of Illustrations Preface Introduction CHAPTER ONE Graphic Signification Perception and Corwepnun Potency of Images and Words Modes of Interaction and Substitution: Metaphoric Tropes Structure in the Graphic Field Contexts CHAPTER TWO Inner Space, Outer Space, Graphic Space: Words and Picture; in Anglo Saxon Culture The Print culture Bias Anglo Saxon Attitudes toward Scribes, Illustrators, and the Visual Anglo Saxon Readers and Writers Anglo Saxon Artisans Image Veneration Anglo Saxon Illustrated hooks Patterns of Identification: Schemata Patterns of Interaction and Substitution: Metaphoric Tropes Patterns of Relationship: Spatial Models Images of Time Time and Space on the Manuscript Page CHAPTER THREE The Reading Subject and the Devotional Text: The Harley Psalter The Manuscript The Psalms in Anglo Saxon Life Purpose of the Harley Psalter Psalm 33 Psalm I Psalm 113 Patterns of Relationship: Cosmic Space Patterns of Identification: Schematizarion and the Representation of Xmen The Political Nature of the Psalter Patterns of Interaction and Substitution: More on Metaphor CHAPTER FOUR Narratise Time in Graphic Space: The Illustrated Hexateuch The stanuscript Patterns of Identification: Schemata Patterns of Interaction and Substitution: Metaphoric Tropes Patterns of Relationship: Movement in Narrative Space Spatial Time Allegorical lime CHAPTER FIVBE My Monster, Myself: The Mantels of the Last The Manuscript The Monstrous Races Patterns of Ideiuification: Schematic Monsters Patterns of Interaction and Substitution: Dog Ants and Valkyry eyed Beasts Patterns of Relationship: Occupying the Framed Space CHAPTER SIX Marginal Portraits and the Fiction of Orality: The Ellesmere Manuscript Changes in the Making and Reading of Texts Since the Eleventh Century Chaucer and the Canterbury Tales Patterns of Relationship: Page Layout and the Reader Modes of Identification: Schemata and Discursive Detail Patterns of Substitution and Interaction: Metonymic Focus on Orality Conclusion Notes Bibliography Author Index Subject Index.
List of Illustrations Preface Introduction CHAPTER ONE Graphic Signification Perception and Corwepnun Potency of Images and Words Modes of Interaction and Substitution: Metaphoric Tropes Structure in the Graphic Field Contexts CHAPTER TWO Inner Space, Outer Space, Graphic Space: Words and Picture; in Anglo Saxon Culture The Print culture Bias Anglo Saxon Attitudes toward Scribes, Illustrators, and the Visual Anglo Saxon Readers and Writers Anglo Saxon Artisans Image Veneration Anglo Saxon Illustrated hooks Patterns of Identification: Schemata Patterns of Interaction and Substitution: Metaphoric Tropes Patterns of Relationship: Spatial Models Images of Time Time and Space on the Manuscript Page CHAPTER THREE The Reading Subject and the Devotional Text: The Harley Psalter The Manuscript The Psalms in Anglo Saxon Life Purpose of the Harley Psalter Psalm 33 Psalm I Psalm 113 Patterns of Relationship: Cosmic Space Patterns of Identification: Schematizarion and the Representation of Xmen The Political Nature of the Psalter Patterns of Interaction and Substitution: More on Metaphor CHAPTER FOUR Narratise Time in Graphic Space: The Illustrated Hexateuch The stanuscript Patterns of Identification: Schemata Patterns of Interaction and Substitution: Metaphoric Tropes Patterns of Relationship: Movement in Narrative Space Spatial Time Allegorical lime CHAPTER FIVBE My Monster, Myself: The Mantels of the Last The Manuscript The Monstrous Races Patterns of Ideiuification: Schematic Monsters Patterns of Interaction and Substitution: Dog Ants and Valkyry eyed Beasts Patterns of Relationship: Occupying the Framed Space CHAPTER SIX Marginal Portraits and the Fiction of Orality: The Ellesmere Manuscript Changes in the Making and Reading of Texts Since the Eleventh Century Chaucer and the Canterbury Tales Patterns of Relationship: Page Layout and the Reader Modes of Identification: Schemata and Discursive Detail Patterns of Substitution and Interaction: Metonymic Focus on Orality Conclusion Notes Bibliography Author Index Subject Index.
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