Illuminates how voice, faith, and hearing become intertwined with technologies of sound reproduction and mobility amid the rapidly transforming religious landscape of China's ethnic borderland.
Illuminates how voice, faith, and hearing become intertwined with technologies of sound reproduction and mobility amid the rapidly transforming religious landscape of China's ethnic borderland.
YING DIAO is an ethnomusicologist and cultural anthropologist with expertise in the nexus of sound, media, and religion, and in music, minorities, and transnational cultural production in the China-Southeast Asia Borderlands. She earned her Ph.D. from the University of Maryland, College Park. She is currently a SSRC Arts Research with Communities of Color Fellow.
Inhaltsangabe
Acknowledgments Notes on Romanization and Terminology Introduction 1. Becoming the Faithful: Cleanliness and Conversion 2. Hearing the Return of Faith: Radio and Listening Audience 3. Producing Gospel Songs: Studio and Media Practitioners 4. Faces and Places: Sounds That Recognize 5. Traces of Faith: Sound Artifacts and Infrastructures 6. Performing Recorded Songs: Religiosity by Body 7. Hidden Faith: Sanitizing the Voice Conclusion: Faith on the New Frontier Appendix 1: Glossary of Old Lisu Appendix 2: Glossary of Chinese Characters References Index
Acknowledgments Notes on Romanization and Terminology Introduction 1. Becoming the Faithful: Cleanliness and Conversion 2. Hearing the Return of Faith: Radio and Listening Audience 3. Producing Gospel Songs: Studio and Media Practitioners 4. Faces and Places: Sounds That Recognize 5. Traces of Faith: Sound Artifacts and Infrastructures 6. Performing Recorded Songs: Religiosity by Body 7. Hidden Faith: Sanitizing the Voice Conclusion: Faith on the New Frontier Appendix 1: Glossary of Old Lisu Appendix 2: Glossary of Chinese Characters References Index
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