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Contents Include: The Romance of Rhyme Hamlet and the Psych-Analyst The Meaning of Mock Turkey Shakespeare and the Legal Lady On Being an Old Bean The Fear of the Film Wings and the Housemaid The Slavery of Free Verse Prohibition and the Press The Mercy of Mr.Arnold Bennett A Defence of Dramatic Unities The Boredom of Butterflies The Terror of a Toy False Theory and the Theatre The Secret Society of Mankind The Sentimentalism of Divorce Street Cries and Stretching the Law The Revolt of the Spoilt Child The Innocence of the Criminal The Prudery of the Feminists How mad Laws are Made The Pagoda…mehr

Produktbeschreibung
Contents Include: The Romance of Rhyme Hamlet and the Psych-Analyst The Meaning of Mock Turkey Shakespeare and the Legal Lady On Being an Old Bean The Fear of the Film Wings and the Housemaid The Slavery of Free Verse Prohibition and the Press The Mercy of Mr.Arnold Bennett A Defence of Dramatic Unities The Boredom of Butterflies The Terror of a Toy False Theory and the Theatre The Secret Society of Mankind The Sentimentalism of Divorce Street Cries and Stretching the Law The Revolt of the Spoilt Child The Innocence of the Criminal The Prudery of the Feminists How mad Laws are Made The Pagoda of Success The Myth of the "Mayflower" Much Too Modern History The Evolution of Slaves Is Darwin Dead? Turning Inside Out Strikes and the Spirit of Wonder A Note on Old Nonsense Milton and Merry England
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Autorenporträt
Chesterton was born in Campden Hill, Kensington, London, as the son of Edward Chesterton (1841-1922), an estate agent, and Marie Louise, nee Grosjean, of Swiss French descent. Chesterton was baptized into the Church of England when he was one month old, despite his family's inconsistent Unitarian practice. According to his book, as a young man, he was captivated by the occult and, with his brother Cecil, experimented with Ouija boards. He attended St Paul's School before moving on to the Slade School of Art to study illustration. The Slade is a department of University College London where Chesterton also took literary studies, but he did not earn a degree in either field. Chesterton developed the fictional priest-detective Father Brown and wrote on apologetics. Even those who disagree with him acknowledge the broad popularity of works like Orthodoxy and The Everlasting Man. Chesterton frequently referred to himself as an orthodox Christian, and he gradually identified this viewpoint with Catholicism before switching from high church Anglicanism. Biographers see him as a successor to Victorian authors like Matthew Arnold, Thomas Carlyle, John Henry Newman, and John Ruskin.