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The first history of keyboard improvisation in European music from the time of Beethoven through the later nineteenth century, Dana Gooley's Free Play: Fantasies of Improvisation in Nineteenth-Century Music describes the motives, intentions, and musical styles of the nineteenth century's leading improvisers, and traces the evolution of the performance practice into a glorified ideal.

Produktbeschreibung
The first history of keyboard improvisation in European music from the time of Beethoven through the later nineteenth century, Dana Gooley's Free Play: Fantasies of Improvisation in Nineteenth-Century Music describes the motives, intentions, and musical styles of the nineteenth century's leading improvisers, and traces the evolution of the performance practice into a glorified ideal.
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Autorenporträt
Dana Gooley is Associate Professor of Music at Brown University. His research centers on European music and musical culture in the nineteenth century, with an emphasis on performance, reception, and criticism. A specialist of Franz Liszt, he has published The Virtuoso Liszt (Cambridge, 2004) and co-edited two essay collections, Franz Liszt and His World (Princeton, 2006) and Franz Liszt: Musicien Européen (Editions Vrin, 2012). He has also published articles on music criticism, musical mediation, improvisation, cosmopolitanism, and jazz. Gooley studied classical piano at New England Conservatory and is a self-taught jazz pianist. With his quintet he hosts the Sunday night jam session at Boston's historic jazz club Wally's Café.