Fantasy/Animation
Connections Between Media, Mediums and Genres
Herausgeber: Holliday, Christopher; Sergeant, Alexander
Fantasy/Animation
Connections Between Media, Mediums and Genres
Herausgeber: Holliday, Christopher; Sergeant, Alexander
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This book examines the relationship that exists between fantasy cinema and the medium of animation.
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This book examines the relationship that exists between fantasy cinema and the medium of animation.
Produktdetails
- Produktdetails
- Verlag: CRC Press
- Seitenzahl: 310
- Erscheinungstermin: 14. August 2020
- Englisch
- Abmessung: 229mm x 152mm x 17mm
- Gewicht: 435g
- ISBN-13: 9780367590741
- ISBN-10: 0367590743
- Artikelnr.: 69893102
- Verlag: CRC Press
- Seitenzahl: 310
- Erscheinungstermin: 14. August 2020
- Englisch
- Abmessung: 229mm x 152mm x 17mm
- Gewicht: 435g
- ISBN-13: 9780367590741
- ISBN-10: 0367590743
- Artikelnr.: 69893102
Christopher Holliday teaches Film Studies and Liberal Arts at King's College London, UK. Alexander Sergeant is a Lecturer at Bournemouth University, UK.
Introduction: Approaching Fantasy/Animation (Christopher Holliday and
Alexander Sergeant) Part I: Ontology and Spectatorship 1. Wonderlands,
Slumberlands, and Plunderlands: Considering the Animated Fantasy (Paul
Wells) 2. Pierre Mac Orlan's "Social Fantastic" and Disney Animation
(Barnaby Dicker) 3. In The Face Of...Animated Fantasy Characters: On The
Role of Baby Schemata in the Elicitation of Empathic Reactions (Meike
Uhrig) 4. Fantastical Empathy: Encountering Abstraction in Bret Battey's
Sinus Aestum (2009) (Lilly Husbands) . The Reality of Fantasy: VFX as
Fantasmatic Supplement in Game of Thrones (2011-) (Ben Tyrer) Part II:
Authors and Nations . Contextualizing Lotte Reiniger's Fantasy Fairy Tales
(Caroline Ruddell) . Fantastic French Fox: The National Identity of Le
Roman de Renard (1941) as an Animated Film (Francis M. Agnoli) 8.The
"Iconoclast of Animation": Counter-Culturalism in Ralph Bakshi's Fantasy
Films (Alexander Sergeant)9. Animating Japan: the Fantasy Films of Studio
Ghibli (Susan J. Napier) 10. British Social Realism as Wonderland Fantasy
in Electricity (2014) (Carolyn Rickards) Part III: Culture and Industry
11. "Loved the animation, hated the CGI": How Audiences Responded to
Digital Effects in The Hobbit films (2012-2014) (Martin Barker) 12. From
Buzz to Business: Hollywood, Fantasy, and the Computer-Animated Film
Industry (Christopher Holliday)13. High Fantasy Meets Low Culture in How to
Train Your Dragon (2010) (Sam Summers) 14. The Evolution of Reproductive
Fantasies: An Interdisciplinary Feminist Analysis of Disney's Tangled
(2010) (Samantha Langsdale and Sarah Myers) 15. "Enter the World": James
Cameron's Avatar (2009) and the Family-Adventure Movie (Peter Krämer)
Alexander Sergeant) Part I: Ontology and Spectatorship 1. Wonderlands,
Slumberlands, and Plunderlands: Considering the Animated Fantasy (Paul
Wells) 2. Pierre Mac Orlan's "Social Fantastic" and Disney Animation
(Barnaby Dicker) 3. In The Face Of...Animated Fantasy Characters: On The
Role of Baby Schemata in the Elicitation of Empathic Reactions (Meike
Uhrig) 4. Fantastical Empathy: Encountering Abstraction in Bret Battey's
Sinus Aestum (2009) (Lilly Husbands) . The Reality of Fantasy: VFX as
Fantasmatic Supplement in Game of Thrones (2011-) (Ben Tyrer) Part II:
Authors and Nations . Contextualizing Lotte Reiniger's Fantasy Fairy Tales
(Caroline Ruddell) . Fantastic French Fox: The National Identity of Le
Roman de Renard (1941) as an Animated Film (Francis M. Agnoli) 8.The
"Iconoclast of Animation": Counter-Culturalism in Ralph Bakshi's Fantasy
Films (Alexander Sergeant)9. Animating Japan: the Fantasy Films of Studio
Ghibli (Susan J. Napier) 10. British Social Realism as Wonderland Fantasy
in Electricity (2014) (Carolyn Rickards) Part III: Culture and Industry
11. "Loved the animation, hated the CGI": How Audiences Responded to
Digital Effects in The Hobbit films (2012-2014) (Martin Barker) 12. From
Buzz to Business: Hollywood, Fantasy, and the Computer-Animated Film
Industry (Christopher Holliday)13. High Fantasy Meets Low Culture in How to
Train Your Dragon (2010) (Sam Summers) 14. The Evolution of Reproductive
Fantasies: An Interdisciplinary Feminist Analysis of Disney's Tangled
(2010) (Samantha Langsdale and Sarah Myers) 15. "Enter the World": James
Cameron's Avatar (2009) and the Family-Adventure Movie (Peter Krämer)
Introduction: Approaching Fantasy/Animation (Christopher Holliday and
Alexander Sergeant) Part I: Ontology and Spectatorship 1. Wonderlands,
Slumberlands, and Plunderlands: Considering the Animated Fantasy (Paul
Wells) 2. Pierre Mac Orlan's "Social Fantastic" and Disney Animation
(Barnaby Dicker) 3. In The Face Of...Animated Fantasy Characters: On The
Role of Baby Schemata in the Elicitation of Empathic Reactions (Meike
Uhrig) 4. Fantastical Empathy: Encountering Abstraction in Bret Battey's
Sinus Aestum (2009) (Lilly Husbands) . The Reality of Fantasy: VFX as
Fantasmatic Supplement in Game of Thrones (2011-) (Ben Tyrer) Part II:
Authors and Nations . Contextualizing Lotte Reiniger's Fantasy Fairy Tales
(Caroline Ruddell) . Fantastic French Fox: The National Identity of Le
Roman de Renard (1941) as an Animated Film (Francis M. Agnoli) 8.The
"Iconoclast of Animation": Counter-Culturalism in Ralph Bakshi's Fantasy
Films (Alexander Sergeant)9. Animating Japan: the Fantasy Films of Studio
Ghibli (Susan J. Napier) 10. British Social Realism as Wonderland Fantasy
in Electricity (2014) (Carolyn Rickards) Part III: Culture and Industry
11. "Loved the animation, hated the CGI": How Audiences Responded to
Digital Effects in The Hobbit films (2012-2014) (Martin Barker) 12. From
Buzz to Business: Hollywood, Fantasy, and the Computer-Animated Film
Industry (Christopher Holliday)13. High Fantasy Meets Low Culture in How to
Train Your Dragon (2010) (Sam Summers) 14. The Evolution of Reproductive
Fantasies: An Interdisciplinary Feminist Analysis of Disney's Tangled
(2010) (Samantha Langsdale and Sarah Myers) 15. "Enter the World": James
Cameron's Avatar (2009) and the Family-Adventure Movie (Peter Krämer)
Alexander Sergeant) Part I: Ontology and Spectatorship 1. Wonderlands,
Slumberlands, and Plunderlands: Considering the Animated Fantasy (Paul
Wells) 2. Pierre Mac Orlan's "Social Fantastic" and Disney Animation
(Barnaby Dicker) 3. In The Face Of...Animated Fantasy Characters: On The
Role of Baby Schemata in the Elicitation of Empathic Reactions (Meike
Uhrig) 4. Fantastical Empathy: Encountering Abstraction in Bret Battey's
Sinus Aestum (2009) (Lilly Husbands) . The Reality of Fantasy: VFX as
Fantasmatic Supplement in Game of Thrones (2011-) (Ben Tyrer) Part II:
Authors and Nations . Contextualizing Lotte Reiniger's Fantasy Fairy Tales
(Caroline Ruddell) . Fantastic French Fox: The National Identity of Le
Roman de Renard (1941) as an Animated Film (Francis M. Agnoli) 8.The
"Iconoclast of Animation": Counter-Culturalism in Ralph Bakshi's Fantasy
Films (Alexander Sergeant)9. Animating Japan: the Fantasy Films of Studio
Ghibli (Susan J. Napier) 10. British Social Realism as Wonderland Fantasy
in Electricity (2014) (Carolyn Rickards) Part III: Culture and Industry
11. "Loved the animation, hated the CGI": How Audiences Responded to
Digital Effects in The Hobbit films (2012-2014) (Martin Barker) 12. From
Buzz to Business: Hollywood, Fantasy, and the Computer-Animated Film
Industry (Christopher Holliday)13. High Fantasy Meets Low Culture in How to
Train Your Dragon (2010) (Sam Summers) 14. The Evolution of Reproductive
Fantasies: An Interdisciplinary Feminist Analysis of Disney's Tangled
(2010) (Samantha Langsdale and Sarah Myers) 15. "Enter the World": James
Cameron's Avatar (2009) and the Family-Adventure Movie (Peter Krämer)