The original Bengali novel Shesher Kavita (lit. Last Poem) was published in 1929. The author draws an amusing picture of an ultra-modern Bengali intellectual whose Oxford education, while giving him a superiority complex, has induced in him a craze for conscious originality which results in a deliberate and frivolous contrariness to all accepted opinion and convention. His aggressive self-complacence, however, receives a shock when as the result of an accidental meeting he falls in love with, and wins in return the heart of, a quite different product of modern culture a highly educated girl of…mehr
The original Bengali novel Shesher Kavita (lit. Last Poem) was published in 1929. The author draws an amusing picture of an ultra-modern Bengali intellectual whose Oxford education, while giving him a superiority complex, has induced in him a craze for conscious originality which results in a deliberate and frivolous contrariness to all accepted opinion and convention. His aggressive self-complacence, however, receives a shock when as the result of an accidental meeting he falls in love with, and wins in return the heart of, a quite different product of modern culture a highly educated girl of fine sensibility and deep feelings. This love being more or less genuine and different from his previous experience of coquetry, releases his own submerged depth of sincerity, which he finds hard to adjust to the habits of sophistry and pose, practised so long. In the process he manages to strike a new romantic attitude. The struggle makes of him a curiously pathetic figure one who is being worked against his grain. The tragedy is understood by the girl, who releases him from his troth and disappears from his life. The last poem which she addresses to her lover gives evidence of the depth of feeling of which she was capable.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
¿ Rabindranath Tagore, was a polymath, poet, musician, and artist from the Indian subcontinent. He reshaped Bengali literature and music, as well as Indian art with Contextual Modernism in the late 19th and early 20th centuries. Author of the "profoundly sensitive, fresh and beautiful verse" of Gitanjali, he became in 1913 the first non-European to win the Nobel Prize in Literature.[7] Tagore's poetic songs were viewed as spiritual and mercurial; however, his "elegant prose and magical poetry" remain largely unknown outside Bengal.[8] He is sometimes referred to as "the Bard of Bengal".[9] ¿ A Brahmo Hindu from Calcutta with ancestral gentry roots in Burdwan District[10] and Jessore, Tagore wrote poetry as an eight-year-old.[11] At the age of sixteen, he released his first substantial poems under the pseudonym Bhanusi¿ha ("Sun Lion"), which were seized upon by literary authorities as long-lost classics. By 1877 he graduated to his first short stories and dramas, published under his real name. As a humanist, universalist, internationalist, and ardent anti-nationalist, he denounced the British Raj and advocated independence from Britain. As an exponent of the Bengal Renaissance, he advanced a vast canon that comprised paintings, sketches and doodles, hundreds of texts, and some two thousand songs; his legacy also endures in the institution he founded, Visva-Bharati University. ¿ Tagore modernised Bengali art by spurning rigid classical forms and resisting linguistic strictures. His novels, stories, songs, dance-dramas, and essays spoke to topics political and personal. Gitanjali (Song Offerings), Gora (Fair-Faced) and Ghare-Baire (The Home and the World) are his best-known works, and his verse, short stories, and novels were acclaimed-or panned-for their lyricism, colloquialism, naturalism, and unnatural contemplation. His compositions were chosen by two nations as national anthems: India's Jana Gana Mana and Bangladesh's Amar Shonar Bangla. The Sri Lankan national anthem was inspired by his work
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