Examines the relationships between intellectual property law, international exhibitions, advertising practices and the press during the 'long nineteenth century'.
Examines the relationships between intellectual property law, international exhibitions, advertising practices and the press during the 'long nineteenth century'.
Megan Richardson is a Director of the Centre for Media and Communications Law, an Associate Director of Law at the Intellectual Property Research Institute of Australia and a Professor in the Faculty of Law at the University of Melbourne.
Inhaltsangabe
Part I. The Journalism Age: 1. Grub Street biographers 2. Author-journalists 3. Agitators and dissenters 4. End of the property right Part II. The Exhibition-Effect: 5. Patent inadequacies 6. Exhibition fever 7. Lessons and compromises 8. Rise of advertising Part III. The Author-Brand Continuum: 9. Rethinking 'romantic' authorship 10. The artist in an age of mechanical reproduction 11. From fashion to brand 12. Closing the categories Epilogue Appendices.
Part I. The Journalism Age: 1. Grub Street biographers 2. Author-journalists 3. Agitators and dissenters 4. End of the property right Part II. The Exhibition-Effect: 5. Patent inadequacies 6. Exhibition fever 7. Lessons and compromises 8. Rise of advertising Part III. The Author-Brand Continuum: 9. Rethinking 'romantic' authorship 10. The artist in an age of mechanical reproduction 11. From fashion to brand 12. Closing the categories Epilogue Appendices.
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