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Excellent . . . Part of the fun is Lagercrantz's deliberate use of Holmesian tropes -there's a Moriarty-like criminal mastermind, and Vargas and Rekke echo Holmes and Watson in more ways than one - but he departs from Conan Doyle's template with a complex, borderline-baroque mystery plot, to thrilling effect. By the end of the pulse-pounding denouement, readers will be breathless for the next installment Publishers Weekly