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Seminar paper from the year 2012 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Würzburg (Neuphilologisches Institut), language: English, abstract: This paper will try to illustrate the basic concepts of negative femininity and positivemasculinity in film noir created by the male gaze. By making use of feminist filmtheory and especially Laura Mulvey's essay "Visual Pleasure and the Narrative Cinema"(1975), Alfred Hitchcock's acclaimed film noir Vertigo (1958) will be compared toFrançois Truffaut's very own version of a film noir, La Siréne du…mehr

Produktbeschreibung
Seminar paper from the year 2012 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Würzburg (Neuphilologisches Institut), language: English, abstract: This paper will try to illustrate the basic concepts of negative femininity and positivemasculinity in film noir created by the male gaze. By making use of feminist filmtheory and especially Laura Mulvey's essay "Visual Pleasure and the Narrative Cinema"(1975), Alfred Hitchcock's acclaimed film noir Vertigo (1958) will be compared toFrançois Truffaut's very own version of a film noir, La Siréne du Mississippi3 (1969).The focus of the comparison will lie on the display of misogyny in order to hold up malehegemony and hide male neurosis and dependency.
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