This book takes an ethnomusicological approach to demonstrate the historical importance of female performers of Highlife music in Ghana.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Nana Abena Amoah-Ramey is adjunct assistant professor in the Department of African American and African diaspora studies at Indiana University.
Inhaltsangabe
Foreword by A.B. Assensoh Acknowledgments Introduction: The Inception of My Ideology, Formations: Research Method & Preamble Chapter 1: Evolution and Transformation of Highlife Musical Tradition of Ghana Chapter 2: "Her-Storical" Legacy: Female Highlife Musicians in Ghana Chapter 3: Resistance and Survival: The Trailblazing Stories Chapter 4: Female Musical Compositions: She Advocates & I Analyze! Chapter 5: The New Deal: New Era of Contemporary Ghanaian Music: From Globalization to Modernization Chapter 6: Epilogue: Future Research & Theoretical Queries & Underpinnings Appendix 1: Ghana Travel Map Appendix 2: Ghanaian Currency Appendix 3: Highlife Tree Appendix 4: Interview with Professor Kwabena Nketia Appendix 5: Interview Photos Appendix 6: Song Lyrics Glossary Bibliography
Foreword by A.B. Assensoh Acknowledgments Introduction: The Inception of My Ideology, Formations: Research Method & Preamble Chapter 1: Evolution and Transformation of Highlife Musical Tradition of Ghana Chapter 2: "Her-Storical" Legacy: Female Highlife Musicians in Ghana Chapter 3: Resistance and Survival: The Trailblazing Stories Chapter 4: Female Musical Compositions: She Advocates & I Analyze! Chapter 5: The New Deal: New Era of Contemporary Ghanaian Music: From Globalization to Modernization Chapter 6: Epilogue: Future Research & Theoretical Queries & Underpinnings Appendix 1: Ghana Travel Map Appendix 2: Ghanaian Currency Appendix 3: Highlife Tree Appendix 4: Interview with Professor Kwabena Nketia Appendix 5: Interview Photos Appendix 6: Song Lyrics Glossary Bibliography
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