Female Printmakers, Printsellers, and Print Publishers in the Eighteenth Century
The Imprint of Women, C. 1700-1830
Herausgeber: Martinez, Cristina S; Roman, Cynthia E
Female Printmakers, Printsellers, and Print Publishers in the Eighteenth Century
The Imprint of Women, C. 1700-1830
Herausgeber: Martinez, Cristina S; Roman, Cynthia E
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"Sixteen international scholars uncover neglected histories about the contributions of eighteenth-century women to making, selling and publishing prints and emphasise the creativity and acumen they displayed. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details"--
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"Sixteen international scholars uncover neglected histories about the contributions of eighteenth-century women to making, selling and publishing prints and emphasise the creativity and acumen they displayed. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details"--
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Archive Editions
- Seitenzahl: 292
- Erscheinungstermin: 21. März 2024
- Englisch
- Abmessung: 229mm x 152mm x 18mm
- Gewicht: 558g
- ISBN-13: 9781108844772
- ISBN-10: 1108844774
- Artikelnr.: 68136149
- Verlag: Archive Editions
- Seitenzahl: 292
- Erscheinungstermin: 21. März 2024
- Englisch
- Abmessung: 229mm x 152mm x 18mm
- Gewicht: 558g
- ISBN-13: 9781108844772
- ISBN-10: 1108844774
- Artikelnr.: 68136149
Introduction: hidden legacies Cristina S. Martinez and Cynthia E. Roman;
Part I. Self-Presentation and Self-Promotion: 1. Show-offs: women's
self-portrait prints c. 1700 Madeleine C. Viljoen; 2. Maria hadfield
cosway's 'genius' for print: a didactic, commercial, and professional path
Paris A. Spies-Gans; 3. Caroline Watson and the theatre of printmaking
Heather McPherson; 4. 'Talent and untiring diligence': the print legacy of
Angelika Kauffmann, Marie Ellenrieder and Maria Katharina Prestel F. Carlo
Schmid; Part II. Spaces of Production: 5. 'Living in the bosom of a
numerous and worthy family': women printmakers learning to Engrave in late
eighteenth-century London Hannah Lyons; 6. Divine secrets of a printmaking
sisterhood: the professional and familial networks of the Horthemels and
Hémery sisters Kelsey. D. Martin; 7. Yielding an impression of women
printmakers in eighteenth-century France Rena M. Hoisington; 8. Laura
piranesi 'incise': a woman printmaker following in her father's footsteps
Rita Bernini; 9. Etchings by ladies, 'not artists' Cynthia E. Roman; Part
III. Competing in the Market: Acumen in Business and Law: 10. Mary Darly,
fun Merchant and Caricaturist Sheila O'Connell; 11. A changing industry:
women publishing and selling prints in London, 1740-1800 Amy Torbert; 12.
Jane Hogarth: A printseller's imprint on copyright law Cristina S.
Martinez; 13. Shells to satire: the career of Hannah Humphrey (1750-1818)
Tim Clayton; 14. Encouraging Rowlandson - the women who mattered Nicholas
JS Knowles; 15. Female printmakers and printsellers in the early American
republic: Eliza Cox Akin and Mary Graham Charles Allison M. Stagg.
Part I. Self-Presentation and Self-Promotion: 1. Show-offs: women's
self-portrait prints c. 1700 Madeleine C. Viljoen; 2. Maria hadfield
cosway's 'genius' for print: a didactic, commercial, and professional path
Paris A. Spies-Gans; 3. Caroline Watson and the theatre of printmaking
Heather McPherson; 4. 'Talent and untiring diligence': the print legacy of
Angelika Kauffmann, Marie Ellenrieder and Maria Katharina Prestel F. Carlo
Schmid; Part II. Spaces of Production: 5. 'Living in the bosom of a
numerous and worthy family': women printmakers learning to Engrave in late
eighteenth-century London Hannah Lyons; 6. Divine secrets of a printmaking
sisterhood: the professional and familial networks of the Horthemels and
Hémery sisters Kelsey. D. Martin; 7. Yielding an impression of women
printmakers in eighteenth-century France Rena M. Hoisington; 8. Laura
piranesi 'incise': a woman printmaker following in her father's footsteps
Rita Bernini; 9. Etchings by ladies, 'not artists' Cynthia E. Roman; Part
III. Competing in the Market: Acumen in Business and Law: 10. Mary Darly,
fun Merchant and Caricaturist Sheila O'Connell; 11. A changing industry:
women publishing and selling prints in London, 1740-1800 Amy Torbert; 12.
Jane Hogarth: A printseller's imprint on copyright law Cristina S.
Martinez; 13. Shells to satire: the career of Hannah Humphrey (1750-1818)
Tim Clayton; 14. Encouraging Rowlandson - the women who mattered Nicholas
JS Knowles; 15. Female printmakers and printsellers in the early American
republic: Eliza Cox Akin and Mary Graham Charles Allison M. Stagg.
Introduction: hidden legacies Cristina S. Martinez and Cynthia E. Roman;
Part I. Self-Presentation and Self-Promotion: 1. Show-offs: women's
self-portrait prints c. 1700 Madeleine C. Viljoen; 2. Maria hadfield
cosway's 'genius' for print: a didactic, commercial, and professional path
Paris A. Spies-Gans; 3. Caroline Watson and the theatre of printmaking
Heather McPherson; 4. 'Talent and untiring diligence': the print legacy of
Angelika Kauffmann, Marie Ellenrieder and Maria Katharina Prestel F. Carlo
Schmid; Part II. Spaces of Production: 5. 'Living in the bosom of a
numerous and worthy family': women printmakers learning to Engrave in late
eighteenth-century London Hannah Lyons; 6. Divine secrets of a printmaking
sisterhood: the professional and familial networks of the Horthemels and
Hémery sisters Kelsey. D. Martin; 7. Yielding an impression of women
printmakers in eighteenth-century France Rena M. Hoisington; 8. Laura
piranesi 'incise': a woman printmaker following in her father's footsteps
Rita Bernini; 9. Etchings by ladies, 'not artists' Cynthia E. Roman; Part
III. Competing in the Market: Acumen in Business and Law: 10. Mary Darly,
fun Merchant and Caricaturist Sheila O'Connell; 11. A changing industry:
women publishing and selling prints in London, 1740-1800 Amy Torbert; 12.
Jane Hogarth: A printseller's imprint on copyright law Cristina S.
Martinez; 13. Shells to satire: the career of Hannah Humphrey (1750-1818)
Tim Clayton; 14. Encouraging Rowlandson - the women who mattered Nicholas
JS Knowles; 15. Female printmakers and printsellers in the early American
republic: Eliza Cox Akin and Mary Graham Charles Allison M. Stagg.
Part I. Self-Presentation and Self-Promotion: 1. Show-offs: women's
self-portrait prints c. 1700 Madeleine C. Viljoen; 2. Maria hadfield
cosway's 'genius' for print: a didactic, commercial, and professional path
Paris A. Spies-Gans; 3. Caroline Watson and the theatre of printmaking
Heather McPherson; 4. 'Talent and untiring diligence': the print legacy of
Angelika Kauffmann, Marie Ellenrieder and Maria Katharina Prestel F. Carlo
Schmid; Part II. Spaces of Production: 5. 'Living in the bosom of a
numerous and worthy family': women printmakers learning to Engrave in late
eighteenth-century London Hannah Lyons; 6. Divine secrets of a printmaking
sisterhood: the professional and familial networks of the Horthemels and
Hémery sisters Kelsey. D. Martin; 7. Yielding an impression of women
printmakers in eighteenth-century France Rena M. Hoisington; 8. Laura
piranesi 'incise': a woman printmaker following in her father's footsteps
Rita Bernini; 9. Etchings by ladies, 'not artists' Cynthia E. Roman; Part
III. Competing in the Market: Acumen in Business and Law: 10. Mary Darly,
fun Merchant and Caricaturist Sheila O'Connell; 11. A changing industry:
women publishing and selling prints in London, 1740-1800 Amy Torbert; 12.
Jane Hogarth: A printseller's imprint on copyright law Cristina S.
Martinez; 13. Shells to satire: the career of Hannah Humphrey (1750-1818)
Tim Clayton; 14. Encouraging Rowlandson - the women who mattered Nicholas
JS Knowles; 15. Female printmakers and printsellers in the early American
republic: Eliza Cox Akin and Mary Graham Charles Allison M. Stagg.