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Essays analyze from a feminist perspective the works of major women artists and examine how the study of art history has been distorted by sexual bias
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Essays analyze from a feminist perspective the works of major women artists and examine how the study of art history has been distorted by sexual bias
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Inc
- Seitenzahl: 372
- Erscheinungstermin: 11. August 1982
- Englisch
- Abmessung: 236mm x 189mm x 27mm
- Gewicht: 672g
- ISBN-13: 9780064301176
- ISBN-10: 0064301176
- Artikelnr.: 20958515
- Verlag: Taylor & Francis Inc
- Seitenzahl: 372
- Erscheinungstermin: 11. August 1982
- Englisch
- Abmessung: 236mm x 189mm x 27mm
- Gewicht: 672g
- ISBN-13: 9780064301176
- ISBN-10: 0064301176
- Artikelnr.: 20958515
Norma Broude
Introduction: Feminism and Art History Norma Broude and Mary D. Garrard.
Matrilineal Reinterpretation of Some Egyptian Sacred Cows Nancy Luomala.
The Great Goddess and the Palace Architecture of Crete Vincent Scully.
Mourners on Greek Vases: Remarks on the Social History of Women Christine Mitchell Havelock.
Social Status and Gender in Roman Art: The Case of the Saleswoman Natalie Boymel Kampen.
Eve and Mary: Conflicting Images of Medieval Woman Henry Kraus.
Taking a Second Look: Observations on the Iconography of a French Queen, Jeanne de Bourbon (13381378) Claire Richter Sherman.
Delilah Madlyn Millner Kahr.
Artemisia and Susanna M. D. Garrard.
Judith Leysters PropositionBetween Virtue and Vice Frima Fox Hofrichter.
Art History and Its Exclusions: The Example of Dutch Art Svetlana Alpers.
Happy Mothers and Other New Ideas in Eighteenth-Century French Art Carol Duncan.
Lost and Found: Once More the Fallen Woman Linda Nochlin.
Degass Misogyny N. Broude.
Gender or Genius? The Woman Artists of German Expressionism Alessandra Comini.
Virility and Domination in Early Twentieth-Century Vanguard Painting C. Duncan.
Miriam Schapiro and Femmage: Reflections on the Conflict Between Decoration and Abstraction in Twentieth-Century Art N. Broude.
Quilts: The Great American Art Patricia Mainardi.
Matrilineal Reinterpretation of Some Egyptian Sacred Cows Nancy Luomala.
The Great Goddess and the Palace Architecture of Crete Vincent Scully.
Mourners on Greek Vases: Remarks on the Social History of Women Christine Mitchell Havelock.
Social Status and Gender in Roman Art: The Case of the Saleswoman Natalie Boymel Kampen.
Eve and Mary: Conflicting Images of Medieval Woman Henry Kraus.
Taking a Second Look: Observations on the Iconography of a French Queen, Jeanne de Bourbon (13381378) Claire Richter Sherman.
Delilah Madlyn Millner Kahr.
Artemisia and Susanna M. D. Garrard.
Judith Leysters PropositionBetween Virtue and Vice Frima Fox Hofrichter.
Art History and Its Exclusions: The Example of Dutch Art Svetlana Alpers.
Happy Mothers and Other New Ideas in Eighteenth-Century French Art Carol Duncan.
Lost and Found: Once More the Fallen Woman Linda Nochlin.
Degass Misogyny N. Broude.
Gender or Genius? The Woman Artists of German Expressionism Alessandra Comini.
Virility and Domination in Early Twentieth-Century Vanguard Painting C. Duncan.
Miriam Schapiro and Femmage: Reflections on the Conflict Between Decoration and Abstraction in Twentieth-Century Art N. Broude.
Quilts: The Great American Art Patricia Mainardi.
Introduction: Feminism and Art History Norma Broude and Mary D. Garrard.
Matrilineal Reinterpretation of Some Egyptian Sacred Cows Nancy Luomala.
The Great Goddess and the Palace Architecture of Crete Vincent Scully.
Mourners on Greek Vases: Remarks on the Social History of Women Christine Mitchell Havelock.
Social Status and Gender in Roman Art: The Case of the Saleswoman Natalie Boymel Kampen.
Eve and Mary: Conflicting Images of Medieval Woman Henry Kraus.
Taking a Second Look: Observations on the Iconography of a French Queen, Jeanne de Bourbon (13381378) Claire Richter Sherman.
Delilah Madlyn Millner Kahr.
Artemisia and Susanna M. D. Garrard.
Judith Leysters PropositionBetween Virtue and Vice Frima Fox Hofrichter.
Art History and Its Exclusions: The Example of Dutch Art Svetlana Alpers.
Happy Mothers and Other New Ideas in Eighteenth-Century French Art Carol Duncan.
Lost and Found: Once More the Fallen Woman Linda Nochlin.
Degass Misogyny N. Broude.
Gender or Genius? The Woman Artists of German Expressionism Alessandra Comini.
Virility and Domination in Early Twentieth-Century Vanguard Painting C. Duncan.
Miriam Schapiro and Femmage: Reflections on the Conflict Between Decoration and Abstraction in Twentieth-Century Art N. Broude.
Quilts: The Great American Art Patricia Mainardi.
Matrilineal Reinterpretation of Some Egyptian Sacred Cows Nancy Luomala.
The Great Goddess and the Palace Architecture of Crete Vincent Scully.
Mourners on Greek Vases: Remarks on the Social History of Women Christine Mitchell Havelock.
Social Status and Gender in Roman Art: The Case of the Saleswoman Natalie Boymel Kampen.
Eve and Mary: Conflicting Images of Medieval Woman Henry Kraus.
Taking a Second Look: Observations on the Iconography of a French Queen, Jeanne de Bourbon (13381378) Claire Richter Sherman.
Delilah Madlyn Millner Kahr.
Artemisia and Susanna M. D. Garrard.
Judith Leysters PropositionBetween Virtue and Vice Frima Fox Hofrichter.
Art History and Its Exclusions: The Example of Dutch Art Svetlana Alpers.
Happy Mothers and Other New Ideas in Eighteenth-Century French Art Carol Duncan.
Lost and Found: Once More the Fallen Woman Linda Nochlin.
Degass Misogyny N. Broude.
Gender or Genius? The Woman Artists of German Expressionism Alessandra Comini.
Virility and Domination in Early Twentieth-Century Vanguard Painting C. Duncan.
Miriam Schapiro and Femmage: Reflections on the Conflict Between Decoration and Abstraction in Twentieth-Century Art N. Broude.
Quilts: The Great American Art Patricia Mainardi.