Feminism and Film Theory

Herausgeber: Penley, Constance

• Gebundenes Buch

Produktbeschreibung

First Published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.

Produktdetails

• Verlag: Taylor & Francis Ltd (Sales)
• Seitenzahl: 280
• Erscheinungstermin: 1. September 2016
• Englisch
• Abmessung: 229mm x 152mm x 18mm
• Gewicht: 544g
• ISBN-13: 9781138151291
• ISBN-10: 1138151297
• Artikelnr.: 69992333

Autorenporträt

Constance Penley teaches film history and theory at the University of Rochester and is co-editor of Camera Obscura: A journal of Feminism and Film Theory. She 1s the author of The Future of an Illusion: Film, Feminism, and Psychoanalysis.

Inhaltsangabe

Chapter 1 Introduction The Lady Doesn't Vanish: Feminism and Film Theory,
Constance Penley; Chapter 2 The Place of Woman in the Cinema of Raoul
Walsh, Pam Cook, Claire Johnston; Chapter 3 Dorothy Arzner: Critical
Strategies, Claire Johnston; Chapter 4 Approaching the Work of Dorothy
Arzner, Pam Cook; Chapter 5 Visual Pleasure and Narrative Cinema, Laura
Mulvey; Chapter 6 Afterthoughts on ";Visual Pleasure and Narrative Cinema"
inspired by Duel in the Sun[Laura Mulvey; Chapter 7 Rereading the Work of
Claire Johnston, Janet Bergstrom; Chapter 8 Feminine Discourse in
Christopher Strong[Jacquelyn Suter; Chapter 9 The Popular Film as a
Progressive Text-a Discussion of Coma[Elizabeth Cowie; Chapter 10 Paranoia
and the Film System, Jacqueline Rose; Chapter 11 Enunciation and Sexual
Difference, Janet Bergstrom; Chapter 12 Alternation, Segmentation,
Hypnosis: Interview with Raymond Bellour-An Excerpt, Janet Bergstrom;
Chapter 13 Caughtand Rebecca:The Inscription of Femininity as Absence, Mary
Ann Doane; Chapter 14 Woman's Stake: Filming the Female Body, Mary Ann
Doane; Chapter 15 India Song/Son nom de Venise dans Calcutta désert:The
Compulsion to Repeat, Joan Copjec; Chapter 16 The Cinema of Lol V. Stein,
Elisabeth Lyon;