This collection of essays examines the role of feminist research in the emergence of Film Studies as a discipline, and traces the developments in theory, criticism and practices of women and cinema since 1973, detailing the contexts within which feminist film theories and practices emerged.
This collection of essays examines the role of feminist research in the emergence of Film Studies as a discipline, and traces the developments in theory, criticism and practices of women and cinema since 1973, detailing the contexts within which feminist film theories and practices emerged.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
E. Ann Kaplan is Professor of English and the first Director of the Humanities Institute, State University of New York, Stony Brook. She is also a widely published author.
Inhaltsangabe
* Notes on Contributors * Introduction * Phase One: Pioneers and Classics: The Modernist Mode * Introductory Notes * Woman's Cinema as Counter-Cinema * Visual Pleasure and Narrative Cinema * Woman as Sign * Klute 1: A Contemporary Film Noir and Feminist Criticism * Woman's Stake: Filming the Female Body * Male Subjectivity and Celestial Satire: It's a Wonderful Life * Is the Gaze Male? * Dorothy Arzner: Critical Strategies * Phase Two: Critiques of Phase One Theories: New Methods * Introductory Notes * Lesbian Looks: Dorothy Arzner and Female Authorship * The Difficulty of Difference * Masochism and the Perverse Pleasures of the Cinema * Pleasure, Ambivalence, Identification: Valentino and Female Spectatorship * Masculinity as Spectacle: Reflections on Men and Mainstream Cinema * Strategies of Coherence: Narrative, Cinema, Feminist Poetics, Yvonne Rainer * The Orthopsychic Subject: Film Theory and the Reception of Lacan * Phase Three: Race, Sexuality, and Postmodernism in Feminist Theory * Introductory Notes * Speaking Nearby * White Privilege and Looking Relations: Race and Gender in Feminist Film Theory * Racism, Representation, and Psychoanalysis * That Moment of Emergence * Sexual Indifference and Lesbian Representation * Phase Four: Spectatorship, Ethnicity, and Melodrama * Introductory Notes * Film and the Masquerade: Theorizing the Female Spectator * Women's Genres * Desperately Seeking Difference * The Case of the Missing Mother: Maternal Issues in Vidor's Stella Dallas * 'Something Else Besides a Mother': Stella Dallas and the Maternal Melodrama * Tears and Desire: Women and Melodrama in the 'Old' Mexican Cinema * Three Men and Baby M * The Carapace that Failed: Ousame Sembene's Xala * Further Reading * Index
* Notes on Contributors * Introduction * Phase One: Pioneers and Classics: The Modernist Mode * Introductory Notes * Woman's Cinema as Counter-Cinema * Visual Pleasure and Narrative Cinema * Woman as Sign * Klute 1: A Contemporary Film Noir and Feminist Criticism * Woman's Stake: Filming the Female Body * Male Subjectivity and Celestial Satire: It's a Wonderful Life * Is the Gaze Male? * Dorothy Arzner: Critical Strategies * Phase Two: Critiques of Phase One Theories: New Methods * Introductory Notes * Lesbian Looks: Dorothy Arzner and Female Authorship * The Difficulty of Difference * Masochism and the Perverse Pleasures of the Cinema * Pleasure, Ambivalence, Identification: Valentino and Female Spectatorship * Masculinity as Spectacle: Reflections on Men and Mainstream Cinema * Strategies of Coherence: Narrative, Cinema, Feminist Poetics, Yvonne Rainer * The Orthopsychic Subject: Film Theory and the Reception of Lacan * Phase Three: Race, Sexuality, and Postmodernism in Feminist Theory * Introductory Notes * Speaking Nearby * White Privilege and Looking Relations: Race and Gender in Feminist Film Theory * Racism, Representation, and Psychoanalysis * That Moment of Emergence * Sexual Indifference and Lesbian Representation * Phase Four: Spectatorship, Ethnicity, and Melodrama * Introductory Notes * Film and the Masquerade: Theorizing the Female Spectator * Women's Genres * Desperately Seeking Difference * The Case of the Missing Mother: Maternal Issues in Vidor's Stella Dallas * 'Something Else Besides a Mother': Stella Dallas and the Maternal Melodrama * Tears and Desire: Women and Melodrama in the 'Old' Mexican Cinema * Three Men and Baby M * The Carapace that Failed: Ousame Sembene's Xala * Further Reading * Index
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