This book uses a feminist approach to analyzing gender relations in the production and distribution of folk art in four different cultures. It examines examples of women's creativity within male-dominated societies and offers an analysis of different art forms, including clay figures, baskets, lacquer work, and dolls.
This book uses a feminist approach to analyzing gender relations in the production and distribution of folk art in four different cultures. It examines examples of women's creativity within male-dominated societies and offers an analysis of different art forms, including clay figures, baskets, lacquer work, and dolls.
Eli Bartra is distinguished professor at the Universidad Autónoma Metropolitana-Xochimilco, Mexico City.
Inhaltsangabe
Chapter 1: Trees of Life: Polychrome Clay Figures, and Women's Work in Izúcar de Matamoros Chapter 2: Art Weavers: Maori Women of Aotearoa (New Zealand). Chapter 3: From the Sober to the Saturated: Japanese Shunkei Lacquers and Edo Hagoita Chapter 4: The Smiler of the Moon: Brazilian Folk Art and the Abayomi Project
Chapter 1: Trees of Life: Polychrome Clay Figures, and Women's Work in Izúcar de Matamoros Chapter 2: Art Weavers: Maori Women of Aotearoa (New Zealand). Chapter 3: From the Sober to the Saturated: Japanese Shunkei Lacquers and Edo Hagoita Chapter 4: The Smiler of the Moon: Brazilian Folk Art and the Abayomi Project
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