In this extensively illustrated book containing over 80 diagrams and images of artworks, David Burrows and Simon O'Sullivan explore the process of fictioning in contemporary art through three focal points: performance fictioning, science fictioning and machine fictioning.
In this extensively illustrated book containing over 80 diagrams and images of artworks, David Burrows and Simon O'Sullivan explore the process of fictioning in contemporary art through three focal points: performance fictioning, science fictioning and machine fictioning.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
David Burrows is Reader in Fine Art at the Slade School of Fine Art, University College London. He has contributed to a number of book projects and his exhibitions include Micro/Macro: British Art 1996-2002, Mucsanok, Budapest (2003); Take Me With You, Circulo des Bellas Artes, Madrid/Mori Art Museum, Tokyo (2006); All Over the New Smart, FA Projects, London (2008); Waving From Afar, Star Space, Shanghai (2009); The Diagram Banner Repeater, London/Torna, Istanbul (2011); In Outer Space There is No Painting and Sculpture, Summerhall, Edinburgh (2014); The Birmingham Show, Eastside Projects, Birmingham (2014). Simon O'Sullivan is Professor of Art Theory and Practice in the Department of Visual Cultures at Goldsmith College, London. He is the author of the monographs On the Production of Subjectivity: Five Diagrams of the Finite-Infinite Relation (Palgrave, 2012) and Art Encounters Deleuze and Guattari: Thought Beyond Representation (Palgrave, 2005), and is co-editor (with Henriette Gunkel and Ayesha Hameed) of Futures and Fictions (Repeater, 2017) and (with Stephen Zepke) of both Deleuze, Guattari and the Production of the New (Continuum, 2008) and Deleuze and Contemporary Art (Edinburgh University Press, 2009).
Inhaltsangabe
List of Figures Acknowledgements Introduction Section I. Mythopoesis to Performance Fictioning A. Mythopoesis: Against Control and the Fiction of the Self 1. Mythopoesis, Fabulous Images and Memories of a Sorcerer 2. Against Control: Nothing is True, Everything is Permitted 3. Overcoming the Fiction of the Self 4. Mirror Work: Self-Obliteration B. Performance Fictioning: Pasts, Presents and Futures 5. Residual Culture and the Magical Mode of Existence 6. Future-Past-Presents: Neomedieval Mappae Mundi 7. Fictioning the Landscape 8. A Journey through the Ruins of Colonialism 9. Scenes as Performance Fictions Section II. Myth-Science to Science Fictioning A. Myth-Science: Perspectivism and Alienation as Method 10. Myth-Analysis: Lessons in Enchantment 11. Myth-Science: Alien Perspectives 12. Afrofuturism, Sonic Fiction and Alienation as Method 13. Wildness and Alienation in the Networks of the Digital B. Science Fictioning: Worlds and Models 14. Feminist World Building and Worlding 15. The Inhuman Social Imaginary of Science Fiction 16. From Science Fiction to Science Fictioning 17. Non-Philosophy and Science Fiction as Method Section III. Mythotechnesis to Machine Fictioning A. Mythotechnesis: Promethean and Intelligence Economies 18. A Renewed Prometheanism 19. The Subject Who Fell to Earth 20. Financial Fictions 21. Post-Singularity Fictions as Mythotechnesis 22. Technofeminisms B. Machine Fictioning: Analogue and Digital Life 23. Loops of the Posthuman: Towards Machine Fictioning 24. The Radicalisation of Singularity 25. By Any Memes Necessary 26. Subjects Without a Body Afterword Bibliography Index
List of Figures Acknowledgements Introduction Section I. Mythopoesis to Performance Fictioning A. Mythopoesis: Against Control and the Fiction of the Self 1. Mythopoesis, Fabulous Images and Memories of a Sorcerer 2. Against Control: Nothing is True, Everything is Permitted 3. Overcoming the Fiction of the Self 4. Mirror Work: Self-Obliteration B. Performance Fictioning: Pasts, Presents and Futures 5. Residual Culture and the Magical Mode of Existence 6. Future-Past-Presents: Neomedieval Mappae Mundi 7. Fictioning the Landscape 8. A Journey through the Ruins of Colonialism 9. Scenes as Performance Fictions Section II. Myth-Science to Science Fictioning A. Myth-Science: Perspectivism and Alienation as Method 10. Myth-Analysis: Lessons in Enchantment 11. Myth-Science: Alien Perspectives 12. Afrofuturism, Sonic Fiction and Alienation as Method 13. Wildness and Alienation in the Networks of the Digital B. Science Fictioning: Worlds and Models 14. Feminist World Building and Worlding 15. The Inhuman Social Imaginary of Science Fiction 16. From Science Fiction to Science Fictioning 17. Non-Philosophy and Science Fiction as Method Section III. Mythotechnesis to Machine Fictioning A. Mythotechnesis: Promethean and Intelligence Economies 18. A Renewed Prometheanism 19. The Subject Who Fell to Earth 20. Financial Fictions 21. Post-Singularity Fictions as Mythotechnesis 22. Technofeminisms B. Machine Fictioning: Analogue and Digital Life 23. Loops of the Posthuman: Towards Machine Fictioning 24. The Radicalisation of Singularity 25. By Any Memes Necessary 26. Subjects Without a Body Afterword Bibliography Index
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