Fighting Words and Images
Representing War Across the Disciplines
Herausgeber: Baraban, Elena V; Muller, Adam; Jaeger, Stephan
Fighting Words and Images
Representing War Across the Disciplines
Herausgeber: Baraban, Elena V; Muller, Adam; Jaeger, Stephan
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This collection creatively and insightfully explains the nature, origins, dynamics, structure, and impact of a wide variety of war representations.
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This collection creatively and insightfully explains the nature, origins, dynamics, structure, and impact of a wide variety of war representations.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: University of Toronto Press
- Seitenzahl: 336
- Erscheinungstermin: 28. April 2012
- Englisch
- Abmessung: 229mm x 150mm x 30mm
- Gewicht: 658g
- ISBN-13: 9781442641235
- ISBN-10: 1442641231
- Artikelnr.: 28195668
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: University of Toronto Press
- Seitenzahl: 336
- Erscheinungstermin: 28. April 2012
- Englisch
- Abmessung: 229mm x 150mm x 30mm
- Gewicht: 658g
- ISBN-13: 9781442641235
- ISBN-10: 1442641231
- Artikelnr.: 28195668
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Edited by Elena V. Baraban, Stephan Jaeger, and Adam Muller
List of Illustration
Acknowledgments
Introduction: Representing War across the Disciplines
ELENA V. BARABAN, STEPHAN JAEGER, and ADAM MULLER
SECTION ONE: SILENCES
1. Representations of War and the Social Construction of Silence
JAY WINTER
2. Not Writing about War
KATE MCLOUGHLIN
3. Occupation as the Face of War: Concealing Violence in the Diary A
Woman in Berlin
BRAD PRAGER
SECTION TWO: PERSPECTIVES
1. Historiographical Simulations of War
STEPHAN JAEGER
2. The Aestheticization of Suffering on Television
LILIE CHOULIARAKI
3. Slotting War Narratives into Culture's Ready-Made
HELENA GOSCILO
SECTION THREE: IDENTITIES
4. Blessed Are the Warmakers: Martin Luther King, Vietnam, and the Black
Prophetic Tradition
JENNIFER C. JAMES
5. Exchange of Sacrifices: Symbolizing an Unpopular War in Post-Soviet Russia
SERGUEI ALEX. OUSHAKINE
6. Identity and the Representation of War in Ancient Rome
JAMES T. CHLUP
SECTION FOUR: AFTERMATHS
7. The Battle of Stalingrad in Soviet Films
ELENA V. BARABAN
8. Monsters in America: The First World War and the Cultural Production of
Horror
DAVID M. LUBIN
9. 'Ruins: The Ruin of Ruins' – Photography in the 'Red Zone' and the
Aftermath of the Great War
SIMON BAKER
Contributors
Index
Acknowledgments
Introduction: Representing War across the Disciplines
ELENA V. BARABAN, STEPHAN JAEGER, and ADAM MULLER
SECTION ONE: SILENCES
1. Representations of War and the Social Construction of Silence
JAY WINTER
2. Not Writing about War
KATE MCLOUGHLIN
3. Occupation as the Face of War: Concealing Violence in the Diary A
Woman in Berlin
BRAD PRAGER
SECTION TWO: PERSPECTIVES
1. Historiographical Simulations of War
STEPHAN JAEGER
2. The Aestheticization of Suffering on Television
LILIE CHOULIARAKI
3. Slotting War Narratives into Culture's Ready-Made
HELENA GOSCILO
SECTION THREE: IDENTITIES
4. Blessed Are the Warmakers: Martin Luther King, Vietnam, and the Black
Prophetic Tradition
JENNIFER C. JAMES
5. Exchange of Sacrifices: Symbolizing an Unpopular War in Post-Soviet Russia
SERGUEI ALEX. OUSHAKINE
6. Identity and the Representation of War in Ancient Rome
JAMES T. CHLUP
SECTION FOUR: AFTERMATHS
7. The Battle of Stalingrad in Soviet Films
ELENA V. BARABAN
8. Monsters in America: The First World War and the Cultural Production of
Horror
DAVID M. LUBIN
9. 'Ruins: The Ruin of Ruins' – Photography in the 'Red Zone' and the
Aftermath of the Great War
SIMON BAKER
Contributors
Index
List of Illustration
Acknowledgments
Introduction: Representing War across the Disciplines
ELENA V. BARABAN, STEPHAN JAEGER, and ADAM MULLER
SECTION ONE: SILENCES
1. Representations of War and the Social Construction of Silence
JAY WINTER
2. Not Writing about War
KATE MCLOUGHLIN
3. Occupation as the Face of War: Concealing Violence in the Diary A
Woman in Berlin
BRAD PRAGER
SECTION TWO: PERSPECTIVES
1. Historiographical Simulations of War
STEPHAN JAEGER
2. The Aestheticization of Suffering on Television
LILIE CHOULIARAKI
3. Slotting War Narratives into Culture's Ready-Made
HELENA GOSCILO
SECTION THREE: IDENTITIES
4. Blessed Are the Warmakers: Martin Luther King, Vietnam, and the Black
Prophetic Tradition
JENNIFER C. JAMES
5. Exchange of Sacrifices: Symbolizing an Unpopular War in Post-Soviet Russia
SERGUEI ALEX. OUSHAKINE
6. Identity and the Representation of War in Ancient Rome
JAMES T. CHLUP
SECTION FOUR: AFTERMATHS
7. The Battle of Stalingrad in Soviet Films
ELENA V. BARABAN
8. Monsters in America: The First World War and the Cultural Production of
Horror
DAVID M. LUBIN
9. 'Ruins: The Ruin of Ruins' – Photography in the 'Red Zone' and the
Aftermath of the Great War
SIMON BAKER
Contributors
Index
Acknowledgments
Introduction: Representing War across the Disciplines
ELENA V. BARABAN, STEPHAN JAEGER, and ADAM MULLER
SECTION ONE: SILENCES
1. Representations of War and the Social Construction of Silence
JAY WINTER
2. Not Writing about War
KATE MCLOUGHLIN
3. Occupation as the Face of War: Concealing Violence in the Diary A
Woman in Berlin
BRAD PRAGER
SECTION TWO: PERSPECTIVES
1. Historiographical Simulations of War
STEPHAN JAEGER
2. The Aestheticization of Suffering on Television
LILIE CHOULIARAKI
3. Slotting War Narratives into Culture's Ready-Made
HELENA GOSCILO
SECTION THREE: IDENTITIES
4. Blessed Are the Warmakers: Martin Luther King, Vietnam, and the Black
Prophetic Tradition
JENNIFER C. JAMES
5. Exchange of Sacrifices: Symbolizing an Unpopular War in Post-Soviet Russia
SERGUEI ALEX. OUSHAKINE
6. Identity and the Representation of War in Ancient Rome
JAMES T. CHLUP
SECTION FOUR: AFTERMATHS
7. The Battle of Stalingrad in Soviet Films
ELENA V. BARABAN
8. Monsters in America: The First World War and the Cultural Production of
Horror
DAVID M. LUBIN
9. 'Ruins: The Ruin of Ruins' – Photography in the 'Red Zone' and the
Aftermath of the Great War
SIMON BAKER
Contributors
Index