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In this volume, Gates focuses critical attention on the most repressed element of African-American criticism - the language of the text. Incorporating the theoretical insights of critics such as Bakhtin, Foucault, Lacan, Derrida, and Bloom, he explores the work of a wide range of African-American writers from Phillis Wheatley to Ishmael Reed and Alice Walker.
This insightful book, written by a leading scholar in African-American studies, attacks the notion of African-American literature as a kind of social realism. Insisting, instead, that critics focus on the most repressed element of
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Produktbeschreibung
In this volume, Gates focuses critical attention on the most repressed element of African-American criticism - the language of the text. Incorporating the theoretical insights of critics such as Bakhtin, Foucault, Lacan, Derrida, and Bloom, he explores the work of a wide range of African-American writers from Phillis Wheatley to Ishmael Reed and Alice Walker.
This insightful book, written by a leading scholar in African-American studies, attacks the notion of African-American literature as a kind of social realism. Insisting, instead, that critics focus on the most repressed element of African-American criticism- the language of the text--Henry Louis Gates, Jr. advocates the use of a close, methodical analysis of language, made possible by modern literary theory.
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Autorenporträt
Henry Louis Gates, Jr. is Chairman of the Department of Afro-American Studies and W.E.B. Du Bois Professor of the Humanities at Harvard University. He is the author of The Signifying Monkey, Loose Canons, and Colored People; general editor of The Schomburg Library of Nineteenth-Century Black Women Writers; and general editor of The W.E.B. Du Bois Institute series.