Michael Finn
Figures of the Pre-Freudian Unconscious from Flaubert to Proust
Michael Finn
Figures of the Pre-Freudian Unconscious from Flaubert to Proust
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This book examines nineteenth-century debates over the existence of the unconscious, demonstrating how they influence the writing of Flaubert, Proust and others.
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This book examines nineteenth-century debates over the existence of the unconscious, demonstrating how they influence the writing of Flaubert, Proust and others.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 252
- Erscheinungstermin: 11. Juli 2019
- Englisch
- Abmessung: 229mm x 152mm x 13mm
- Gewicht: 345g
- ISBN-13: 9781316635964
- ISBN-10: 1316635961
- Artikelnr.: 57088060
- Verlag: Cambridge University Press
- Seitenzahl: 252
- Erscheinungstermin: 11. Juli 2019
- Englisch
- Abmessung: 229mm x 152mm x 13mm
- Gewicht: 345g
- ISBN-13: 9781316635964
- ISBN-10: 1316635961
- Artikelnr.: 57088060
Michael R. Finn is Emeritus Professor of French in the Department of Languages, Literatures and Cultures at Ryerson University in Toronto. He has written widely on the connection between literature and medicine including the books Proust, the Body and Literary Form (Cambridge, 1999) and Hysteria, Hypnotism, the Spirits and Pornography (2009), as well as an extensive range of articles.
Acknowledgements
Introduction
Part I. Before Freud: The Quarrel of the Unconscious in Late Nineteenth-Century France
1. Reflex action, unconscious cerebration, subliminal self
2. The double brain and cerebral topography
3. Hallucination and hypnotism
4. The quarrel of the unconscious
5. The French unconscious, Janet and Freud
Part II. Flaubert: Hysterical Duality, Hallucination and Writing: 6. The divided writer
7. Flaubert bi-gendered
8. Hector Landouzy, Salammbô and hysteria
9. The critics and Flaubert's divided self
10. Absorption, hallucination, writing stance
Part III. Maupassant, Charcot and the Paranormal: 11. Charcot, Le Horla and ambient psychic research
12. 'Les magnétiseurs': Pickmann vs Donato
13. Dualities and doubles
14. Figuring the Maupassantian unconscious
Part IV. The Unconscious Female/The Female Unconscious: 15. Fictions of female physiology
16. The late-century female brain and education
17. Four female writers on the female brain
18. Femme fatale, femme inconsciente
Part V. Hypnotism, Dual Personalities and the Popular Novel: 19. Experimental crimes, real crimes
20. Dual personality, hypnotism and the French fin-de-siècle novel
21. Sex, hypnotism and the unconscious
22. A more sophisticated unconscious?
Part VI. Proust, the Intellect and the Unconscious: 23. Trials of the intellect
24. The unconscious and creativity: 1900
25. The 'natural' unconscious: Proust and Maeterlinck
26. Toward the Proustian unconscious
26.A Willpower and the creative
26.B Unconscious anticipation
26.C Deep, behind, within: articulating the unconscious
Postscript
Notes
Bibliography
Index.
Introduction
Part I. Before Freud: The Quarrel of the Unconscious in Late Nineteenth-Century France
1. Reflex action, unconscious cerebration, subliminal self
2. The double brain and cerebral topography
3. Hallucination and hypnotism
4. The quarrel of the unconscious
5. The French unconscious, Janet and Freud
Part II. Flaubert: Hysterical Duality, Hallucination and Writing: 6. The divided writer
7. Flaubert bi-gendered
8. Hector Landouzy, Salammbô and hysteria
9. The critics and Flaubert's divided self
10. Absorption, hallucination, writing stance
Part III. Maupassant, Charcot and the Paranormal: 11. Charcot, Le Horla and ambient psychic research
12. 'Les magnétiseurs': Pickmann vs Donato
13. Dualities and doubles
14. Figuring the Maupassantian unconscious
Part IV. The Unconscious Female/The Female Unconscious: 15. Fictions of female physiology
16. The late-century female brain and education
17. Four female writers on the female brain
18. Femme fatale, femme inconsciente
Part V. Hypnotism, Dual Personalities and the Popular Novel: 19. Experimental crimes, real crimes
20. Dual personality, hypnotism and the French fin-de-siècle novel
21. Sex, hypnotism and the unconscious
22. A more sophisticated unconscious?
Part VI. Proust, the Intellect and the Unconscious: 23. Trials of the intellect
24. The unconscious and creativity: 1900
25. The 'natural' unconscious: Proust and Maeterlinck
26. Toward the Proustian unconscious
26.A Willpower and the creative
26.B Unconscious anticipation
26.C Deep, behind, within: articulating the unconscious
Postscript
Notes
Bibliography
Index.
Acknowledgements
Introduction
Part I. Before Freud: The Quarrel of the Unconscious in Late Nineteenth-Century France
1. Reflex action, unconscious cerebration, subliminal self
2. The double brain and cerebral topography
3. Hallucination and hypnotism
4. The quarrel of the unconscious
5. The French unconscious, Janet and Freud
Part II. Flaubert: Hysterical Duality, Hallucination and Writing: 6. The divided writer
7. Flaubert bi-gendered
8. Hector Landouzy, Salammbô and hysteria
9. The critics and Flaubert's divided self
10. Absorption, hallucination, writing stance
Part III. Maupassant, Charcot and the Paranormal: 11. Charcot, Le Horla and ambient psychic research
12. 'Les magnétiseurs': Pickmann vs Donato
13. Dualities and doubles
14. Figuring the Maupassantian unconscious
Part IV. The Unconscious Female/The Female Unconscious: 15. Fictions of female physiology
16. The late-century female brain and education
17. Four female writers on the female brain
18. Femme fatale, femme inconsciente
Part V. Hypnotism, Dual Personalities and the Popular Novel: 19. Experimental crimes, real crimes
20. Dual personality, hypnotism and the French fin-de-siècle novel
21. Sex, hypnotism and the unconscious
22. A more sophisticated unconscious?
Part VI. Proust, the Intellect and the Unconscious: 23. Trials of the intellect
24. The unconscious and creativity: 1900
25. The 'natural' unconscious: Proust and Maeterlinck
26. Toward the Proustian unconscious
26.A Willpower and the creative
26.B Unconscious anticipation
26.C Deep, behind, within: articulating the unconscious
Postscript
Notes
Bibliography
Index.
Introduction
Part I. Before Freud: The Quarrel of the Unconscious in Late Nineteenth-Century France
1. Reflex action, unconscious cerebration, subliminal self
2. The double brain and cerebral topography
3. Hallucination and hypnotism
4. The quarrel of the unconscious
5. The French unconscious, Janet and Freud
Part II. Flaubert: Hysterical Duality, Hallucination and Writing: 6. The divided writer
7. Flaubert bi-gendered
8. Hector Landouzy, Salammbô and hysteria
9. The critics and Flaubert's divided self
10. Absorption, hallucination, writing stance
Part III. Maupassant, Charcot and the Paranormal: 11. Charcot, Le Horla and ambient psychic research
12. 'Les magnétiseurs': Pickmann vs Donato
13. Dualities and doubles
14. Figuring the Maupassantian unconscious
Part IV. The Unconscious Female/The Female Unconscious: 15. Fictions of female physiology
16. The late-century female brain and education
17. Four female writers on the female brain
18. Femme fatale, femme inconsciente
Part V. Hypnotism, Dual Personalities and the Popular Novel: 19. Experimental crimes, real crimes
20. Dual personality, hypnotism and the French fin-de-siècle novel
21. Sex, hypnotism and the unconscious
22. A more sophisticated unconscious?
Part VI. Proust, the Intellect and the Unconscious: 23. Trials of the intellect
24. The unconscious and creativity: 1900
25. The 'natural' unconscious: Proust and Maeterlinck
26. Toward the Proustian unconscious
26.A Willpower and the creative
26.B Unconscious anticipation
26.C Deep, behind, within: articulating the unconscious
Postscript
Notes
Bibliography
Index.