24,99 €
inkl. MwSt.

Versandfertig in über 4 Wochen
  • Broschiertes Buch

One of the world's most erudite and entertaining film critics on the state of cinema in the post-digital - and post-9/11 - age. This witty and allusive book, in the style of classic film theorists/critics like Andre¿ Bazin and Siegfried Kracauer, includes considerations of global cinema's most important figures and films, from Lars von Trier and Jia Jiangke to WALL-E, Avatar and Inception.

Produktbeschreibung
One of the world's most erudite and entertaining film critics on the state of cinema in the post-digital - and post-9/11 - age. This witty and allusive book, in the style of classic film theorists/critics like Andre¿ Bazin and Siegfried Kracauer, includes considerations of global cinema's most important figures and films, from Lars von Trier and Jia Jiangke to WALL-E, Avatar and Inception.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Autorenporträt
J. Hoberman was for over three decades a film and culture critic for The Village Voice. His previous books have explored the subculture of midnight movies, the rise and fall of Yiddish-language cinema, the international Communist avantgarde, SoHo performance art, and the underground filmmaker Jack Smith. His "found illusions" trilogy—which includes The Dream Life, Make My Day, and An Army of Phantoms—used Hollywood to refract the history of the Cold War.