Cinema and nationalism are two fundamentally modern phenomena, but how have films shaped our understanding of the creation -the 'imagining' - of Central-Asian nations?
Cinema and nationalism are two fundamentally modern phenomena, but how have films shaped our understanding of the creation -the 'imagining' - of Central-Asian nations?Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
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Autorenporträt
Rico Isaacs
Inhaltsangabe
Chapter one: From Constructed to Contested Nations: Theorising and analysing nation and cinema 1 Chapter Two: Kazakh Khanate to Kazakh Eli: Nation-Building in Kazakhstan in Historical and Political Context 40 Chapter Three: Between two worlds: Kazakh film and Nation-building in the Soviet era 75 Chapter Four: The Disruption of Time: the Kazakh New Wave 1985-1995 109 Chapter Five: Naked in the Mirror: the ethno-centric narrative of Kazakh nationhood 150 Chapter Six: May the Grass Never Grow at Your Door: the civic conception of nationhood in Kazakh cinema 186 Chapter Seven: 'Hymn to Mother' - Tengrism, motherhood and nationhood 211 Chapter Eight: The Steppe, disorientation, division and corruption: social and economic visions of modern nationhood 241 Conclusion 289 Notes 309
Chapter one: From Constructed to Contested Nations: Theorising and analysing nation and cinema 1 Chapter Two: Kazakh Khanate to Kazakh Eli: Nation-Building in Kazakhstan in Historical and Political Context 40 Chapter Three: Between two worlds: Kazakh film and Nation-building in the Soviet era 75 Chapter Four: The Disruption of Time: the Kazakh New Wave 1985-1995 109 Chapter Five: Naked in the Mirror: the ethno-centric narrative of Kazakh nationhood 150 Chapter Six: May the Grass Never Grow at Your Door: the civic conception of nationhood in Kazakh cinema 186 Chapter Seven: 'Hymn to Mother' - Tengrism, motherhood and nationhood 211 Chapter Eight: The Steppe, disorientation, division and corruption: social and economic visions of modern nationhood 241 Conclusion 289 Notes 309
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