Film and Television after DVD argues that DVD technology is part of a shift that heralds a new age for film and television, critically examining the implications of DVD technology for key concerns within the fields of television, film and new media studies.
Film and Television after DVD argues that DVD technology is part of a shift that heralds a new age for film and television, critically examining the implications of DVD technology for key concerns within the fields of television, film and new media studies.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
James Bennett is Senior Lecturer in Media Studies at London Metropolitan University. His work is primarily concerned with digital television and television stardom. It has appeared in New Review of Film & Television Studies, Multimedia Histories, Studies in Australasian Cinema, Screen, Convergence and Media International Australia (with Niki Strange). Tom Brown is a Lecturer in Film at the University of Reading. His research is focused primarily on the analysis of the relationship between film style and technology, the role of spectacle in French and American "classical" film, and the history of "direct address" in the cinema.
Inhaltsangabe
Introduction James Bennett (London Metropolitan University) & Tom Brown (University of Warwick) 1. DVD and home film cultures Professor Barbara Klinger (Indiana University) 2. Representing DVD as new technology Professor William Boddy (City Univerity of New York) 3. The Relationship between DVD, Television Scholarship, and Aesthetics Dr. James Walters (Birmingham) 4. A taste for leeches: DVDs, cultural hierarchies and queer consumption Glyn Davis (University of Bristol) 5. DVD of Attractions? The Lion King and the digital theme park Tom Brown (University of Warwick) 6. Re-Directing films: Authorship and the DVD Catherine Grant (University of Kent) 7. The purpose and practice of academic DVD commentaries In conversation with Professor Ginette Vincendeau (Kings College, London) & Caroline Millar (British Film Institute) 8. DVDs and the political economy of attention Jo T Smith (University of Auckland) 9. Prefiguring DVD bonus tracks: Making-ofs and behind-the-scenes as historic television programming strategies John T. Caldwell (UCLA) Notes Bibliography Index
Introduction James Bennett (London Metropolitan University) & Tom Brown (University of Warwick) 1. DVD and home film cultures Professor Barbara Klinger (Indiana University) 2. Representing DVD as new technology Professor William Boddy (City Univerity of New York) 3. The Relationship between DVD, Television Scholarship, and Aesthetics Dr. James Walters (Birmingham) 4. A taste for leeches: DVDs, cultural hierarchies and queer consumption Glyn Davis (University of Bristol) 5. DVD of Attractions? The Lion King and the digital theme park Tom Brown (University of Warwick) 6. Re-Directing films: Authorship and the DVD Catherine Grant (University of Kent) 7. The purpose and practice of academic DVD commentaries In conversation with Professor Ginette Vincendeau (Kings College, London) & Caroline Millar (British Film Institute) 8. DVDs and the political economy of attention Jo T Smith (University of Auckland) 9. Prefiguring DVD bonus tracks: Making-ofs and behind-the-scenes as historic television programming strategies John T. Caldwell (UCLA) Notes Bibliography Index
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