James Bennett / Tom Brown (eds.)
Film and Television After DVD
Herausgeber: Bennett, James; Brown, Tom
James Bennett / Tom Brown (eds.)
Film and Television After DVD
Herausgeber: Bennett, James; Brown, Tom
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Film and Television after DVD argues that DVD technology is part of a shift that heralds a new age for film and television, critically examining the implications of DVD technology for key concerns within the fields of television, film and new media studies.
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Film and Television after DVD argues that DVD technology is part of a shift that heralds a new age for film and television, critically examining the implications of DVD technology for key concerns within the fields of television, film and new media studies.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 212
- Erscheinungstermin: 1. Juni 2008
- Englisch
- Abmessung: 229mm x 152mm x 13mm
- Gewicht: 454g
- ISBN-13: 9780415962414
- ISBN-10: 0415962412
- Artikelnr.: 25006654
- Verlag: Taylor & Francis
- Seitenzahl: 212
- Erscheinungstermin: 1. Juni 2008
- Englisch
- Abmessung: 229mm x 152mm x 13mm
- Gewicht: 454g
- ISBN-13: 9780415962414
- ISBN-10: 0415962412
- Artikelnr.: 25006654
James Bennett is Senior Lecturer in Media Studies at London Metropolitan University. His work is primarily concerned with digital television and television stardom. It has appeared in New Review of Film & Television Studies, Multimedia Histories, Studies in Australasian Cinema, Screen, Convergence and Media International Australia (with Niki Strange). Tom Brown is a Lecturer in Film at the University of Reading. His research is focused primarily on the analysis of the relationship between film style and technology, the role of spectacle in French and American "classical" film, and the history of "direct address" in the cinema.
Introduction
James Bennett (London Metropolitan University) & Tom Brown (University of
Warwick)
1. DVD and home film cultures
Professor Barbara Klinger (Indiana University)
2. Representing DVD as new technology
Professor William Boddy (City Univerity of New York)
3. The Relationship between DVD, Television Scholarship, and Aesthetics
Dr. James Walters (Birmingham)
4. A taste for leeches: DVDs, cultural hierarchies and queer consumption
Glyn Davis (University of Bristol)
5. DVD of Attractions? The Lion King and the digital theme park
Tom Brown (University of Warwick)
6. Re-Directing films: Authorship and the DVD
Catherine Grant (University of Kent)
7. The purpose and practice of academic DVD commentaries
In conversation with Professor Ginette Vincendeau (Kings College, London) &
Caroline Millar (British Film Institute)
8. DVDs and the political economy of attention
Jo T Smith (University of Auckland)
9. Prefiguring DVD bonus tracks: Making-ofs and behind-the-scenes as
historic television programming strategies
John T. Caldwell (UCLA)
Notes
Bibliography
Index
James Bennett (London Metropolitan University) & Tom Brown (University of
Warwick)
1. DVD and home film cultures
Professor Barbara Klinger (Indiana University)
2. Representing DVD as new technology
Professor William Boddy (City Univerity of New York)
3. The Relationship between DVD, Television Scholarship, and Aesthetics
Dr. James Walters (Birmingham)
4. A taste for leeches: DVDs, cultural hierarchies and queer consumption
Glyn Davis (University of Bristol)
5. DVD of Attractions? The Lion King and the digital theme park
Tom Brown (University of Warwick)
6. Re-Directing films: Authorship and the DVD
Catherine Grant (University of Kent)
7. The purpose and practice of academic DVD commentaries
In conversation with Professor Ginette Vincendeau (Kings College, London) &
Caroline Millar (British Film Institute)
8. DVDs and the political economy of attention
Jo T Smith (University of Auckland)
9. Prefiguring DVD bonus tracks: Making-ofs and behind-the-scenes as
historic television programming strategies
John T. Caldwell (UCLA)
Notes
Bibliography
Index
Introduction
James Bennett (London Metropolitan University) & Tom Brown (University of
Warwick)
1. DVD and home film cultures
Professor Barbara Klinger (Indiana University)
2. Representing DVD as new technology
Professor William Boddy (City Univerity of New York)
3. The Relationship between DVD, Television Scholarship, and Aesthetics
Dr. James Walters (Birmingham)
4. A taste for leeches: DVDs, cultural hierarchies and queer consumption
Glyn Davis (University of Bristol)
5. DVD of Attractions? The Lion King and the digital theme park
Tom Brown (University of Warwick)
6. Re-Directing films: Authorship and the DVD
Catherine Grant (University of Kent)
7. The purpose and practice of academic DVD commentaries
In conversation with Professor Ginette Vincendeau (Kings College, London) &
Caroline Millar (British Film Institute)
8. DVDs and the political economy of attention
Jo T Smith (University of Auckland)
9. Prefiguring DVD bonus tracks: Making-ofs and behind-the-scenes as
historic television programming strategies
John T. Caldwell (UCLA)
Notes
Bibliography
Index
James Bennett (London Metropolitan University) & Tom Brown (University of
Warwick)
1. DVD and home film cultures
Professor Barbara Klinger (Indiana University)
2. Representing DVD as new technology
Professor William Boddy (City Univerity of New York)
3. The Relationship between DVD, Television Scholarship, and Aesthetics
Dr. James Walters (Birmingham)
4. A taste for leeches: DVDs, cultural hierarchies and queer consumption
Glyn Davis (University of Bristol)
5. DVD of Attractions? The Lion King and the digital theme park
Tom Brown (University of Warwick)
6. Re-Directing films: Authorship and the DVD
Catherine Grant (University of Kent)
7. The purpose and practice of academic DVD commentaries
In conversation with Professor Ginette Vincendeau (Kings College, London) &
Caroline Millar (British Film Institute)
8. DVDs and the political economy of attention
Jo T Smith (University of Auckland)
9. Prefiguring DVD bonus tracks: Making-ofs and behind-the-scenes as
historic television programming strategies
John T. Caldwell (UCLA)
Notes
Bibliography
Index