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Film and the Shoah in France and Italy is a uniquely comparative analysis of the role of cinema in the development of collective memories of the Shoah in these countries. The work follows a chronological structure of which three French documentaries - Night and Fog, The Sorrow, and The Pity and Shoah - form the backbone. These three sections are linked by comparative case studies on famous and lesser-known fictional works, such as Roberto Benigni's Life is Beautiful, Louis Malle's Lacombe Lucien, Armand Gatti's The Enclosure, and Radu Mihaileanu's Train of Life. The book tackles crucial…mehr

Produktbeschreibung
Film and the Shoah in France and Italy is a uniquely comparative analysis of the role of cinema in the development of collective memories of the Shoah in these countries. The work follows a chronological structure of which three French documentaries - Night and Fog, The Sorrow, and The Pity and Shoah - form the backbone. These three sections are linked by comparative case studies on famous and lesser-known fictional works, such as Roberto Benigni's Life is Beautiful, Louis Malle's Lacombe Lucien, Armand Gatti's The Enclosure, and Radu Mihaileanu's Train of Life. The book tackles crucial themes, such as the politics of history and its representation, the 1970s obsession with collaboration, and the ethical debate around cinema's ability adequately to represent the Shoah. The book fulfils three complementary purposes: to offer a detailed historical and textual analysis of key cinematic works on the Shoah; to firmly situate the popular and institutional reception of these works within the