This book makes the case that the secret to feature filmmaking is that it is fundamentally the practice of making a very specific type of argument. It deep-dives into how filmmakers are trained and taught to think about filmmaking, looking at hundreds of films to explore why knowing this can both unlock both a greater appreciation of the form, and improve a filmmaker’s technique.
This book makes the case that the secret to feature filmmaking is that it is fundamentally the practice of making a very specific type of argument. It deep-dives into how filmmakers are trained and taught to think about filmmaking, looking at hundreds of films to explore why knowing this can both unlock both a greater appreciation of the form, and improve a filmmaker’s technique.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
DARREN PAUL FISHER is an international multi-award-winning screenwriter, director, producer, and head of film, screen and creative media at Bond University, Australia.
Inhaltsangabe
Contents Note on Screen References Part I: The Elephant in the Screening Room Chapter 1 What’s the Big Secret? Chapter 2 The Other Half of the Story: A Brief History of Film as Argument Chapter 3 What and How Films Argue Chapter 4 Alternate Conceptions Part II: The Case Studies General Notes on the Case Studies Chapter 5 The Exemplar: Toy Story 3 Chapter 6 The Counter-Example: Mulholland Drive Chapter 7 Three Approaches: Brave, Frozen and Barbie Part III: Now on Release and Coming Attractions Chapter 8 Why Failures Succeed: The Cinema of Compensation Chapter 9 The End Acknowledgments Screen References Bibliography Index
Contents Note on Screen References Part I: The Elephant in the Screening Room Chapter 1 What’s the Big Secret? Chapter 2 The Other Half of the Story: A Brief History of Film as Argument Chapter 3 What and How Films Argue Chapter 4 Alternate Conceptions Part II: The Case Studies General Notes on the Case Studies Chapter 5 The Exemplar: Toy Story 3 Chapter 6 The Counter-Example: Mulholland Drive Chapter 7 Three Approaches: Brave, Frozen and Barbie Part III: Now on Release and Coming Attractions Chapter 8 Why Failures Succeed: The Cinema of Compensation Chapter 9 The End Acknowledgments Screen References Bibliography Index
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