Graeme Turner (Australia University of Queensland)
Film as Social Practice
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Graeme Turner (Australia University of Queensland)
Film as Social Practice
- Broschiertes Buch
Fully revised and updated to bring it in line with contemporary film analysis and new material published, this new edition now includes revised chapters, new illustrations, film theories and an expanded treatment of special effects and spectacle.
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Fully revised and updated to bring it in line with contemporary film analysis and new material published, this new edition now includes revised chapters, new illustrations, film theories and an expanded treatment of special effects and spectacle.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd
- 4 ed
- Seitenzahl: 272
- Erscheinungstermin: 6. Juli 2006
- Englisch
- Abmessung: 215mm x 139mm x 27mm
- Gewicht: 370g
- ISBN-13: 9780415375146
- ISBN-10: 0415375142
- Artikelnr.: 21675184
- Verlag: Taylor & Francis Ltd
- 4 ed
- Seitenzahl: 272
- Erscheinungstermin: 6. Juli 2006
- Englisch
- Abmessung: 215mm x 139mm x 27mm
- Gewicht: 370g
- ISBN-13: 9780415375146
- ISBN-10: 0415375142
- Artikelnr.: 21675184
Graeme Turner is Professor of Cultural Studies and Director of the Centre for Critical and Cultural Studies at the University of Queensland, Brisbane, Australia. He has published many books on media and cultural studies including British Cultural Studies: An Introduction, Understanding Celebrity and The Film Cultures Reader.
List of Illustrations Acknowledgements General Editor's Preface Preface
Introduction 1. The Feature Film Industry The Feature Film Today The
Establishment of the Feature Film American Domination of the Feature Film
Industry New Competitors, New Strategies, New Hollywood Spectacle Versus
Narrative Suggestions for Further Work 2. From Seventh Art to Social
Practice: A History of Film Studies Early Aesthetic Approaches Realist
Approaches Bazin Auteurs and Genres The Institutionalization of Film
Studies Film as Social Practice Suggestions for Further Work 3. Film
Languages Culture and Language Film as a Signifying Practice The Signifying
Systems Reading the Film Suggestions for Further Work 4. Film Narrative The
Universality of Story The Function of Narrative Structuralism and Narrative
Codes and Conventions Genre Narrative and Narration Suggestions for Further
Work 5. Film Audiences Specifying the Audience Stars The Film Experience
The Film Spectator and Psychoanalysis Audience Identification Desire and
the Image Audiences, Texts and Meanings Cultural Identities Suggestions for
Further Work 6. Film, Culture and Ideology Film and National Culture A
National Cinema: the Australian Revival Ideology in the Text Issues in
Ideological Analysis Suggestions for Further Work 7. Applications Butch
Cassidy and the Sundance Kid Desperately Seeking Susan Conclusion
References Index
Introduction 1. The Feature Film Industry The Feature Film Today The
Establishment of the Feature Film American Domination of the Feature Film
Industry New Competitors, New Strategies, New Hollywood Spectacle Versus
Narrative Suggestions for Further Work 2. From Seventh Art to Social
Practice: A History of Film Studies Early Aesthetic Approaches Realist
Approaches Bazin Auteurs and Genres The Institutionalization of Film
Studies Film as Social Practice Suggestions for Further Work 3. Film
Languages Culture and Language Film as a Signifying Practice The Signifying
Systems Reading the Film Suggestions for Further Work 4. Film Narrative The
Universality of Story The Function of Narrative Structuralism and Narrative
Codes and Conventions Genre Narrative and Narration Suggestions for Further
Work 5. Film Audiences Specifying the Audience Stars The Film Experience
The Film Spectator and Psychoanalysis Audience Identification Desire and
the Image Audiences, Texts and Meanings Cultural Identities Suggestions for
Further Work 6. Film, Culture and Ideology Film and National Culture A
National Cinema: the Australian Revival Ideology in the Text Issues in
Ideological Analysis Suggestions for Further Work 7. Applications Butch
Cassidy and the Sundance Kid Desperately Seeking Susan Conclusion
References Index
List of Illustrations Acknowledgements General Editor's Preface Preface
Introduction 1. The Feature Film Industry The Feature Film Today The
Establishment of the Feature Film American Domination of the Feature Film
Industry New Competitors, New Strategies, New Hollywood Spectacle Versus
Narrative Suggestions for Further Work 2. From Seventh Art to Social
Practice: A History of Film Studies Early Aesthetic Approaches Realist
Approaches Bazin Auteurs and Genres The Institutionalization of Film
Studies Film as Social Practice Suggestions for Further Work 3. Film
Languages Culture and Language Film as a Signifying Practice The Signifying
Systems Reading the Film Suggestions for Further Work 4. Film Narrative The
Universality of Story The Function of Narrative Structuralism and Narrative
Codes and Conventions Genre Narrative and Narration Suggestions for Further
Work 5. Film Audiences Specifying the Audience Stars The Film Experience
The Film Spectator and Psychoanalysis Audience Identification Desire and
the Image Audiences, Texts and Meanings Cultural Identities Suggestions for
Further Work 6. Film, Culture and Ideology Film and National Culture A
National Cinema: the Australian Revival Ideology in the Text Issues in
Ideological Analysis Suggestions for Further Work 7. Applications Butch
Cassidy and the Sundance Kid Desperately Seeking Susan Conclusion
References Index
Introduction 1. The Feature Film Industry The Feature Film Today The
Establishment of the Feature Film American Domination of the Feature Film
Industry New Competitors, New Strategies, New Hollywood Spectacle Versus
Narrative Suggestions for Further Work 2. From Seventh Art to Social
Practice: A History of Film Studies Early Aesthetic Approaches Realist
Approaches Bazin Auteurs and Genres The Institutionalization of Film
Studies Film as Social Practice Suggestions for Further Work 3. Film
Languages Culture and Language Film as a Signifying Practice The Signifying
Systems Reading the Film Suggestions for Further Work 4. Film Narrative The
Universality of Story The Function of Narrative Structuralism and Narrative
Codes and Conventions Genre Narrative and Narration Suggestions for Further
Work 5. Film Audiences Specifying the Audience Stars The Film Experience
The Film Spectator and Psychoanalysis Audience Identification Desire and
the Image Audiences, Texts and Meanings Cultural Identities Suggestions for
Further Work 6. Film, Culture and Ideology Film and National Culture A
National Cinema: the Australian Revival Ideology in the Text Issues in
Ideological Analysis Suggestions for Further Work 7. Applications Butch
Cassidy and the Sundance Kid Desperately Seeking Susan Conclusion
References Index