Robert P. Kolker (USA University of Maryland), Marsha Gordon (USA North Carolina State University)
Film, Form, and Culture
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Robert P. Kolker (USA University of Maryland), Marsha Gordon (USA North Carolina State University)
Film, Form, and Culture
- Broschiertes Buch
This fifth edition of Film, Form, and Culture offers a lively introduction to both the formal and cultural aspects of film.
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This fifth edition of Film, Form, and Culture offers a lively introduction to both the formal and cultural aspects of film.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd
- 5 ed
- Seitenzahl: 352
- Erscheinungstermin: 29. März 2024
- Englisch
- Abmessung: 252mm x 179mm x 22mm
- Gewicht: 802g
- ISBN-13: 9781032505251
- ISBN-10: 1032505257
- Artikelnr.: 69433759
- Verlag: Taylor & Francis Ltd
- 5 ed
- Seitenzahl: 352
- Erscheinungstermin: 29. März 2024
- Englisch
- Abmessung: 252mm x 179mm x 22mm
- Gewicht: 802g
- ISBN-13: 9781032505251
- ISBN-10: 1032505257
- Artikelnr.: 69433759
Robert P. Kolker is Professor Emeritus at the University of Maryland, College Park, USA. He is the author/editor of several books on film including The Oxford Handbook of Film and Media Studies (2008), A Cinema of Loneliness, 4th edition (2011), The Cultures of American Film (2014), The Extraordinary Image: Orson Welles, Alfred Hitchcock, Stanley Kubrick, and the Reimagining of Cinema (2016), Politics Goes to the Movies (2018), Eyes Wide Shut: Stanley Kubrick and the Making of His Final Film (2019), and, with Nathan Abrams, Kubrick: An Odyssey (2024). Marsha Gordon is Professor and Director of Film Studies at North Carolina State University, USA. She is the author of Becoming the Ex-Wife: The Unconventional Life & Forgotten Writings of Ursula Parrott (2023), Film is Like a Battleground: Sam Fuller's War Movies (2017), and Hollywood Ambitions: Celebrity in the Movie Age (2008), and co-editor of Screening Race in American Nontheatrical Film (2019) and Learning With the Lights Off: Educational Film in the United States (2012).
Introduction 1. Image and Reality 2. Formal Structures: How Films Tell
Their Stories 3. The Building Blocks Of Film I: The Shot and Its Elements
4. The Building Blocks of Film II: The Cut 5. The Story Tellers of Film I
6. The Storytellers of Film II: Acting 7. The Storytellers of Film III: The
Director 8. Global Cinema 9. The Stories Told By Film I 10. The Stories
Told by Film II 11. Film as Cultural Practice
Their Stories 3. The Building Blocks Of Film I: The Shot and Its Elements
4. The Building Blocks of Film II: The Cut 5. The Story Tellers of Film I
6. The Storytellers of Film II: Acting 7. The Storytellers of Film III: The
Director 8. Global Cinema 9. The Stories Told By Film I 10. The Stories
Told by Film II 11. Film as Cultural Practice
Introduction 1. Image and Reality 2. Formal Structures: How Films Tell
Their Stories 3. The Building Blocks Of Film I: The Shot and Its Elements
4. The Building Blocks of Film II: The Cut 5. The Story Tellers of Film I
6. The Storytellers of Film II: Acting 7. The Storytellers of Film III: The
Director 8. Global Cinema 9. The Stories Told By Film I 10. The Stories
Told by Film II 11. Film as Cultural Practice
Their Stories 3. The Building Blocks Of Film I: The Shot and Its Elements
4. The Building Blocks of Film II: The Cut 5. The Story Tellers of Film I
6. The Storytellers of Film II: Acting 7. The Storytellers of Film III: The
Director 8. Global Cinema 9. The Stories Told By Film I 10. The Stories
Told by Film II 11. Film as Cultural Practice