Film, Form and Phantasy - O'Pray, M.
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This book explores the ideas of the neglected English aesthetician and art historian, Adrian Stokes. Stokes's Kleinian-based concepts of carving and modelling are analysed in relation to film, arguing that they replace the traditional notions of realism and montage in film theory and provide a set of aesthetics which encompasses mainstream and 'art' cinema. This Kleinian psychoanalytic approach is offered to the films of Eisenstein, Rossellini, Hitchcock and others.

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Produktbeschreibung
This book explores the ideas of the neglected English aesthetician and art historian, Adrian Stokes. Stokes's Kleinian-based concepts of carving and modelling are analysed in relation to film, arguing that they replace the traditional notions of realism and montage in film theory and provide a set of aesthetics which encompasses mainstream and 'art' cinema. This Kleinian psychoanalytic approach is offered to the films of Eisenstein, Rossellini, Hitchcock and others.
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Autorenporträt
MICHAEL O'PRAY is Professor of Film at the School of Architecture, Art and Design at the University of East London. His previous books include Andy Warhol: Film Factory (editor, 1989), Inside the Pleasure Dome: The Films of Kenneth Anger (co-edited with Jayne Pilling,1990), The British Avant-Garde Film: 1926-1995: An Anthology of Writings (editor, 1996), Derek Jarman: Dreams of England (1996) and The Avant-Garde Film: Themes, Forms and Passions (2003).