Film, History and Memory
Herausgegeben:McGarry, Fearghal; Carlsten, Jennie
Film, History and Memory
Herausgegeben:McGarry, Fearghal; Carlsten, Jennie
- Broschiertes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
Using an interdisciplinary approach, Film, History and Memory broadens the focus from 'history', the study of past events, to 'memory', the processes - individual, generational, collective or state-driven - by which meanings are attached to the past.
Andere Kunden interessierten sich auch für
- Film, History and Memory59,99 €
- M. CaminoFilm, Memory and the Legacy of the Spanish Civil War37,99 €
- A. MartinMise en Scène and Film Style88,99 €
- Paul CoatesDoubling, Distance and Identification in the Cinema37,99 €
- Ian BrownHistory as Theatrical Metaphor48,99 €
- A. MartinMise En Scène and Film Style88,99 €
- Barry ForshawBritish Crime Film37,99 €
-
-
-
Using an interdisciplinary approach, Film, History and Memory broadens the focus from 'history', the study of past events, to 'memory', the processes - individual, generational, collective or state-driven - by which meanings are attached to the past.
Produktdetails
- Produktdetails
- Verlag: Palgrave Macmillan / Palgrave Macmillan UK / Springer Palgrave Macmillan
- Artikelnr. des Verlages: 978-1-349-50035-2
- 2015 edition
- Seitenzahl: 209
- Erscheinungstermin: 1. Januar 2015
- Englisch
- Abmessung: 216mm x 140mm x 13mm
- Gewicht: 288g
- ISBN-13: 9781349500352
- ISBN-10: 1349500356
- Artikelnr.: 45081952
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: Palgrave Macmillan / Palgrave Macmillan UK / Springer Palgrave Macmillan
- Artikelnr. des Verlages: 978-1-349-50035-2
- 2015 edition
- Seitenzahl: 209
- Erscheinungstermin: 1. Januar 2015
- Englisch
- Abmessung: 216mm x 140mm x 13mm
- Gewicht: 288g
- ISBN-13: 9781349500352
- ISBN-10: 1349500356
- Artikelnr.: 45081952
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Axel Bangert, NYU Berlin, Germany Natalia Sanjuán Bornay, Flinders University, Australia Mercedes Camino, Lancaster University, UK Jennie M. Carlsten, University of Ulster, UK Paul Cooke, University of Leeds, UK Gianluca Fantoni, Nottingham Trent University, UK Liz Greene, Dublin City University, Ireland Andrew Hennlich, Michigan University, USA Nike Jung, University of Warwick, UK Fearghal McGarry, Queen's University, Belfast, UK Alison Ribeiro de Menezes, University of Warwick, UK Robert A. Rosenstone, California Institute of Technology, USA Rob Stone, University of Birmingham, UK James Ward, University of Ulster, UK
List of Figures Notes on Contributors Introduction; Jennie M. Carlsten and Fearghal McGarry 1. A Very Long Engagement: The Use of Cinematic Texts in Historical Research; Gianluca Fantoni 2. Screening European Heritage: Negotiating Europe's Past via the 'Heritage Film'; Axel Bangert, Paul Cooke and Rob Stone 3. Confronting Silence and Memory in Contemporary Spain: The Grandchildren's Perspective; Natalia Sanjuan Bornay 4. The Enchantment and Disenchantment of the Archival Image: Politics and Affect in Contemporary Portuguese Cultural Memories; Alison Ribeiro de Menezes 5. Foundational Films: The Memorialization of Resistance in Italy, France, Belarus and Yugoslavia; Mercedes Camino 6. Amnesty With a Movie Camera; Andrew J. Hennlich 7. History, Fiction, and the Politics of Corporeality in Pablo Larraín's Dictatorship Trilogy; Nike Jung 8. Remember 1688? The Draughtsman's Contract, the 'Glorious Revolution' and Public Memory; James Ward 9. Not Thinking Clearly: History and Emotion in the Recent Irish Cinema; Jennie Carlsten 10. Music and Montage: Punk, Speed and Histories of the Troubles; Liz Greene 11. Reflections on What the Filmmaker Historian Does (to History); Robert A. Rosenstone Index
List of Figures Notes on Contributors Introduction; Jennie M. Carlsten and Fearghal McGarry 1. A Very Long Engagement: The Use of Cinematic Texts in Historical Research; Gianluca Fantoni 2. Screening European Heritage: Negotiating Europe's Past via the 'Heritage Film'; Axel Bangert, Paul Cooke and Rob Stone 3. Confronting Silence and Memory in Contemporary Spain: The Grandchildren's Perspective; Natalia Sanjuan Bornay 4. The Enchantment and Disenchantment of the Archival Image: Politics and Affect in Contemporary Portuguese Cultural Memories; Alison Ribeiro de Menezes 5. Foundational Films: The Memorialization of Resistance in Italy, France, Belarus and Yugoslavia; Mercedes Camino 6. Amnesty With a Movie Camera; Andrew J. Hennlich 7. History, Fiction, and the Politics of Corporeality in Pablo Larraín's Dictatorship Trilogy; Nike Jung 8. Remember 1688? The Draughtsman's Contract, the 'Glorious Revolution' and Public Memory; James Ward 9. Not Thinking Clearly: History and Emotion in the Recent Irish Cinema; Jennie Carlsten 10. Music and Montage: Punk, Speed and Histories of the Troubles; Liz Greene 11. Reflections on What the Filmmaker Historian Does (to History); Robert A. Rosenstone Index