Film is Like a Battleground: Sam Fuller's War Movies is the first book to focus on the genre that best defined the American director's career: the war film. It draws on previously unexplored archival materials, such as Fuller's Federal Bureau of Investigation files and WWII-era amateur films, to explore the director's lifelong interest in making movies representing war and conflict.
Film is Like a Battleground: Sam Fuller's War Movies is the first book to focus on the genre that best defined the American director's career: the war film. It draws on previously unexplored archival materials, such as Fuller's Federal Bureau of Investigation files and WWII-era amateur films, to explore the director's lifelong interest in making movies representing war and conflict.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Dr. Marsha Gordon is Associate Professor of Film Studies at North Carolina State University. She is the author of Hollywood Ambitions: Celebrity in the Movie Age, co-editor of Learning with the Lights Off: A Reader in Educational Film, and the former editor of The Moving Image journal.
Inhaltsangabe
* Acknowledgments * Abbreviations * Introduction * Ch 1: Sam Fuller's First War Movie * Ch 2: A Complicated Conflict: The Steel Helmet and Fixed Bayonets! * Ch 3: Cold War Stories: Pickup on South Street and Hell and High Water * Ch 4: More War in Asia: China Gate and The Rifle * Ch 5: Looking Back at World War II: Verboten!, Dogface, and Merrill's Marauders * Ch 6: Reimagining the War: The Big Red One * Conclusion: Returning to the Scene of the Crime: Falkenau -- The Impossible * Bibliography * Index
* Acknowledgments * Abbreviations * Introduction * Ch 1: Sam Fuller's First War Movie * Ch 2: A Complicated Conflict: The Steel Helmet and Fixed Bayonets! * Ch 3: Cold War Stories: Pickup on South Street and Hell and High Water * Ch 4: More War in Asia: China Gate and The Rifle * Ch 5: Looking Back at World War II: Verboten!, Dogface, and Merrill's Marauders * Ch 6: Reimagining the War: The Big Red One * Conclusion: Returning to the Scene of the Crime: Falkenau -- The Impossible * Bibliography * Index
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