James Naremore introduces film noir, highlighting key themes, films, and styles, and exploring why the genre is so difficult to categorize. First associated with Hollywood thrillers of the 1940s and 50s, film noir has become fully international in its nature and appeal, attracting the interest of great directors right up to our present time.
James Naremore introduces film noir, highlighting key themes, films, and styles, and exploring why the genre is so difficult to categorize. First associated with Hollywood thrillers of the 1940s and 50s, film noir has become fully international in its nature and appeal, attracting the interest of great directors right up to our present time.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
James Naremore is Emeritus Chancellors' Professor at Indiana University, where he taught literature and film courses in the departments of English, Comparative Literature, and Communication and Culture. He has lectured widely in the US, Britain, and Europe, and has been a guest professor at the University of Hamburg in Germany, the University of Chicago, the Art Institute of Chicago, and UCLA. His many writings on film, which have been translated into ten languages, include books on acting, genre, and theoretical issues; as well as on directors Orson Welles, Stanley Kubrick, Vincente Minnelli, and Charles Burnett. He has received fellowships from the Guggenheim Foundation, the National Gallery of Art, and the Academy of Motion Picture Arts and Sciences. He was also awarded the President's Medal from Indiana University.
Inhaltsangabe
Preface 1: The idea of film noir 2: The modernist crime novel and Hollywood noir 3: Censorship and politics in Hollywood noir 4: Budgets and critical discrimination 5: Styles of film noir 6: The afterlife of noir and the changing mediascape Further reading Index
Preface 1: The idea of film noir 2: The modernist crime novel and Hollywood noir 3: Censorship and politics in Hollywood noir 4: Budgets and critical discrimination 5: Styles of film noir 6: The afterlife of noir and the changing mediascape Further reading Index
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