The film preservation, or film restoration, movement is an ongoing project among film historians, archivists, museums, and non-profit organizations to rescue decaying film stock and preserve the images which they contain. In the widest sense, preservation nowadays assures that a movie will continue to exist, as close to its original form as possible. For many years the term preservation used to be a synonym of duplication only. The preservationist s goal was to create a durable copy without significant loss of quality. Film preservation now holds the concepts of handling, duplication, storage, and access. The archivist s job these days is to protect the film and at the same time share the content with the public. It should be distinguished from film revisionism, in which long-completed films are subjected to outtakes never previously seen being inserted, new music scores and/or sound effects being added, black-and-white film being colorized or converted to Dolby stereo, or minor edits or other cosmetic changes being made, regardless of reason.
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