Film Studies - Dyer, Richard / Kaplan, E. Ann / Willemen, Paul
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'The contributors supply skillful overviews of the major critical approaches' - "Sight and Sound", May 1998. This title covers all the significant theories, debates and approaches to the subject. The chapter authors are international experts. Emphasis throughout is on critical concepts, methods and debates. It includes material from important new fields such as film audiences and reception, queer theory, film and psychoanalysis, and poststructuralist approaches. It contains learning aids such as chapter summaries, critiques of individual films, and lists of further reading. This text is the…mehr

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Produktbeschreibung
'The contributors supply skillful overviews of the major critical approaches' - "Sight and Sound", May 1998. This title covers all the significant theories, debates and approaches to the subject. The chapter authors are international experts. Emphasis throughout is on critical concepts, methods and debates. It includes material from important new fields such as film audiences and reception, queer theory, film and psychoanalysis, and poststructuralist approaches. It contains learning aids such as chapter summaries, critiques of individual films, and lists of further reading. This text is the most up-to-date critical guide to the study of film. It is an ideal course companion for undergraduates taking courses in film criticism and textual analysis, and for students taking course options in gender, race and sexuality in film.
Serving as a guide to the study of film, this title covers the significant theories, debates and approaches to the subject. It provides an overview of the main disciplinary approaches to film studies, explaining the main concepts and methods involved in film analysis, including such areas as film audiences and reception, queer theory, and more.
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Autorenporträt
EDITORS John Hill is Senior Lecturer at the Department of Media and Performance Studies at the University of Ulster at Coleraine Pamela Church Gibson is a Senior Lecturer in Contextual and Cultural Studies at the London College of Fashion, a constituent college of the London Institute ADVISORY BOARD Richard Dyer is Professor of Film Studies at the University of Warwick E. Ann Kaplan teaches in the Department of English at the Humanities Institute at Stony Brook, New York Paul Willemen is Professor, Department of Media Studies, Napier University, Edinburgh