This book examines film as a multimodal text and an audiovisual synthesis, bringing together current work within the fields of narratology, philosophy, multimodal analysis, sound as well as cultural studies in order to cover a wide range of international academic interest. The book provides new insights into current work and turns the discussion towards recent research questions and analyses, representing and constituting in each contribution new work in the discipline of film text analysis. With the help of various example analyses, all showing the methodological applicability of the discussed issues, the collection provides novel ways of considering film as one of the most complex and at the same time broadly comprehensible texts.
"The first collection to give an overview of the field of film text analysis including a wide variety of approaches, methodological advances and in-depth analyses hinting at the possibilities of multimodality studies for film." - Florian Mundhenke, University of Leipzig, Germany
"The first collection to give an overview of the field of film text analysis including a wide variety of approaches, methodological advances and in-depth analyses hinting at the possibilities of multimodality studies for film." - Florian Mundhenke, University of Leipzig, Germany