In recent decades, a type of historical documentary has emerged that focuses on tightly circumscribed subjects, personal archives, and first-person perspectives. Efrà n Cuevas categorizes these films as â microhistorical documentariesâ and examines how they push cinemaâ s capacity as a producer of historical knowledge in new directions.
In recent decades, a type of historical documentary has emerged that focuses on tightly circumscribed subjects, personal archives, and first-person perspectives. Efrà n Cuevas categorizes these films as â microhistorical documentariesâ and examines how they push cinemaâ s capacity as a producer of historical knowledge in new directions.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Acknowledgments Introduction: Film and History 1. Microhistory and Documentary Film 2. The Archive in the Microhistorical Documentary 3. Péter Forgács's Home Movie Chronicle of the Twentieth Century: The Maelstrom, Free Fall, and Class Lot 4. The Incarceration of Japanese Americans During World War II: Something Strong Within, A Family Gathering, From a Silk Cocoon, and History and Memory 5. Rithy Panh's Autobiographical Narrative of the Cambodian Genocide: The Missing Picture 6. Identities and Conflicts in Israel and Palestine: Israel: A Home Movie, For My Children, My Terrorist, My Land Zion, and A World Not Ours 7. The Immigrant Experience in Jonas Mekas's Lost, Lost, Lost Epilogue: Looking to the Future Filmography Notes Bibliography Index
Acknowledgments Introduction: Film and History 1. Microhistory and Documentary Film 2. The Archive in the Microhistorical Documentary 3. Péter Forgács's Home Movie Chronicle of the Twentieth Century: The Maelstrom, Free Fall, and Class Lot 4. The Incarceration of Japanese Americans During World War II: Something Strong Within, A Family Gathering, From a Silk Cocoon, and History and Memory 5. Rithy Panh's Autobiographical Narrative of the Cambodian Genocide: The Missing Picture 6. Identities and Conflicts in Israel and Palestine: Israel: A Home Movie, For My Children, My Terrorist, My Land Zion, and A World Not Ours 7. The Immigrant Experience in Jonas Mekas's Lost, Lost, Lost Epilogue: Looking to the Future Filmography Notes Bibliography Index
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