Mark Sawicki, Juniko Moody

Filming the Fantastic with Virtual Technology

Filmmaking on the Digital Backlot

• Broschiertes Buch

Produktbeschreibung

This book brings fantasy storytelling to a whole new level by providing an in-depth insight into the tools used for virtual reality, augmented reality, 360 cinema and motion capture in order to repurpose them to create a virtual studio for filmmaking. Composites and CG characters can now be shot together as fast as a live action show.

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Produktdetails

• Verlag: Taylor & Francis Ltd
• Seitenzahl: 220
• Erscheinungstermin: 20. Mai 2020
• Englisch
• Abmessung: 232mm x 152mm x 9mm
• Gewicht: 438g
• ISBN-13: 9780367354213
• ISBN-10: 0367354217
• Artikelnr.: 59358733

Autorenporträt

Mark Sawicki entered the visual effects field as an effects cameraman, animator, and compositor in the late 70s. As a co-supervisor for Area 51 on Tom Hanks' special "From the Earth to the Moon", Sawicki was part of the combined use of models, motion control, and CGI as a pivotal transition point between the traditional and digital eras. He won an Emmy Certificate for his contribution to the television series Star Trek while working as a cameraman for Illusion Arts. He then went on to become visual effects supervisor and lead cameraman for Custom Film effects working on such films as Christopher Nolan's The Dark Knight Rises. At the start of the 21st century, Mark took a hiatus from production to write books, create video programs for the Stan Winston School of Character Arts, and teach at a variety of film schools. He has now re-entered the field as a virtual production artist and corporate trainer. Juniko Moody graduated from USC Cinema and entered the industry as a motion control and compositing technician working for New World Studios, Ultimatte Corporation, and ILM. She entered the digital field working for Eastman Kodak's Cineon project digitally restoring the Disney classic Snow White and went on to work for Warner Digital and Sony Imageworks as a digital artist. She was hired by Walt Disney Feature Animation to provide CGI lighting and digital compositing for the film Dinosaur. She also provided corporate training at Disney and Dreamworks animation. She received a doctorate from USC Rossier School of Education and continues to write and research.

Inhaltsangabe

Dedication
Preface - Bill Taylor
Acknowledgements
Introduction
Chapter 1 The First Magicians
Chapter 2 A Brief History of Computer Graphics
Chapter 3 Performance Capture
Chapter 4 Camera Tracking
Chapter 5 Under the Hood of the Reality EngineTM Compositing System
Chapter 6 Making a Storyboard with Unreal ® Engine
Chapter 7 Compositing Fundamentals
Chapter 8 Production Considerations.
Chapter 9 Creating Photo Real Environments
Chapter 10 So You Don't Have a Million Dollars
Chapter 11 Production Case Study
Chapter 12 Virtual Reality: Indistinguishable from Magic.
About the Authors
Index