UNIQUE: looks at Hamilton's programs from the perspective of Hamilton's contemporaries, using primary sources. In late 1789, what would the man who cornered Secretary Hamilton in a tavern, or the woman who sat across from him at a dinner party, tell Hamilton he urgently needed to fix? How did Ham-ilton's programs address those crises? And what made those programs so useful that the programs remained in place long after the crises of the 1780s and 1790s were resolved? VIVID: Like a novel, history is more gripping if it's told with dialogue rather than third-person exposition. This book provides…mehr
UNIQUE: looks at Hamilton's programs from the perspective of Hamilton's contemporaries, using primary sources. In late 1789, what would the man who cornered Secretary Hamilton in a tavern, or the woman who sat across from him at a dinner party, tell Hamilton he urgently needed to fix? How did Ham-ilton's programs address those crises? And what made those programs so useful that the programs remained in place long after the crises of the 1780s and 1790s were resolved? VIVID: Like a novel, history is more gripping if it's told with dialogue rather than third-person exposition. This book provides historical context and then, as often as possible, lets Hamilton and his contemporaries speak for themselves. Appendixes 1-3 include Hamilton's major policy papers, broken up with outline headings for easier reading (pp. 193-354). Dianne L. Durante, Ph.D., is an independent researcher, freelance writer, and lecturer. Publications include Alexander Hamilton: A Brief Biography, Alexander Hamilton and the Reynolds Affair, and Alexander Hamilton: A Friend to America (2 volumes). In 2019, the Alexander Hamilton Awareness Society designated her a National Hamilton Advocate. For an up-to-date list of books and essays, visit www.DianneDuranteWriter.com/books-essays
At age five, I won my first writing award: a three-foot-long fire truck with an ear-splitting siren. I've been addicted to writing ever since. Today I'm an independent researcher, freelance writer, and lecturer. The challenge of figuring out how ideas and facts fit together, and then sharing what I know with others, clearly and concisely - that's what makes me leap out of bed in the morning. Janson's *History of Art*, lent to me by a high-school art teacher, was my first clue that art was more than the rock-star posters and garden gnomes that I saw in Catawissa, Pennsylvania, and that history wasn't just a series of names, dates, and statistics. Soon afterwards I read Ayn Rand's fiction and nonfiction works, and discovered that art and history - as well as politics, ethics, science, and all fields of human knowledge - are integrated by philosophy. My approach to studying art is based on Rand's *The Romantic Manifesto*. (See my review of it on Amazon.) As an art historian I'm a passionate amateur, and I write for other passionate amateurs. I love looking at art, and thinking about art, and helping other people have a blast looking at it, too. *Outdoor Monuments of Manhattan: A Historical Guide* (New York University Press, 2007), which includes 54 sculptures, was described by Sam Roberts in the *New York Times* as "a perfect walking-tour accompaniment to help New Yorkers and visitors find, identify and better appreciate statues famous and obscure" (1/28/2007). Every week I issue four art-related recommendations to my supporters, which have been collected in *Starry Solitudes* (poetry) and *Sunny Sundays* (painting, sculpture, architecture, literature, and more). For more of my works, see https://diannedurantewriter.com/books-essays . Since 2018, I've been collecting and publishing Henry Kitchell Webster's short stories, and republishing his early novels.
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