What if the CIA, in its Cold War infancy, reached as far as one literary magazine--and went on to shape American literature as we know it? In Finks , Joel Whitney details the CIA's intimate ties to the arts, and delves into the murky history of The Paris Review.
What if the CIA, in its Cold War infancy, reached as far as one literary magazine--and went on to shape American literature as we know it? In Finks , Joel Whitney details the CIA's intimate ties to the arts, and delves into the murky history of The Paris Review.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
JOEL WHITNEY's writing has appeared in The New York Times, The New Republic , The San Francisco Chronicle, The Baffler, New York Magazine, and The Sun , among others. His essays have twice been designated as Notable in Best American Essays, and he received a 2017 PEN/Nora Magid Award for Editing for his work on Guernica, which he co-founded. For his poetry, which has appeared in The Paris Review, The Nation, and Agni, he is a recipient of the Discovery Prize awarded by the 92nd Street Y and The Nation. He lives in Brooklyn, where he is at work on a novel.
Inhaltsangabe
Table of Contents INTRODUCTION: A Lit'r'y Coup 1 Graduates 2 The Responsibility of Editors 3 Pasternak, the CIA, and Feltrinelli 4 The Paris Review Goes to Moscow 5 Did the CIA Censor Its Magazines? 6 James Baldwin's Protest 7 Into India 8 The US Coup in Guatemala 9 Cuba: A Portrait by Figueres, Plimpton, Hemingway, Garcia Marquez, Part 1 10 Cuba: A Portrait by Plimpton, Hemingway and Garcia Marquez, Part 2 11 Tools Rush In: Pablo Neruda, Mundo Nuevo and Keith Botsford 12 The Vital Center Cannot Hold 13 Blowback CODA Afghanistan ACKNOWLEDGMENTS SOURCES ENDNOTES INDEX
Table of Contents INTRODUCTION: A Lit'r'y Coup 1 Graduates 2 The Responsibility of Editors 3 Pasternak, the CIA, and Feltrinelli 4 The Paris Review Goes to Moscow 5 Did the CIA Censor Its Magazines? 6 James Baldwin's Protest 7 Into India 8 The US Coup in Guatemala 9 Cuba: A Portrait by Figueres, Plimpton, Hemingway, Garcia Marquez, Part 1 10 Cuba: A Portrait by Plimpton, Hemingway and Garcia Marquez, Part 2 11 Tools Rush In: Pablo Neruda, Mundo Nuevo and Keith Botsford 12 The Vital Center Cannot Hold 13 Blowback CODA Afghanistan ACKNOWLEDGMENTS SOURCES ENDNOTES INDEX
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