Five Seven Five
Science fictional examinations of the elusive haiku
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Two arts, synchronousin waves of speculation.Together as One. ¬¬ Like many of my favorite things, I came upon this project when two interesting ideas crashed together. First, of course, was the haiku. Despite paying them little attention, I have always had a quiet admiration of the haiku. Perhaps this is because I admire short fiction, and the haiku is, by definition, about as short as you can get. Well-done haiku feel so ephemeral. Almost magical. Its simple 5-7-5 beat structure can feel barren at times, and, in fact, when in cavalier hands, that barren nature can come off as too slight. In...
Two arts, synchronousin waves of speculation.Together as One. ¬¬ Like many of my favorite things, I came upon this project when two interesting ideas crashed together. First, of course, was the haiku. Despite paying them little attention, I have always had a quiet admiration of the haiku. Perhaps this is because I admire short fiction, and the haiku is, by definition, about as short as you can get. Well-done haiku feel so ephemeral. Almost magical. Its simple 5-7-5 beat structure can feel barren at times, and, in fact, when in cavalier hands, that barren nature can come off as too slight. In other hands, though, the aura of a haiku leaves one wanting to dwell in the essence of the images it creates. There's a magical balance in a haiku that may not exist in other forms of poetry, or at least not in quite the same way. I always find them interesting. Yet, despite this framework, I rarely wrote any. The second idea was artificial intelligence and its generation of art. Ron Collins, Introduction
