Flamenco Music and National Identity in Spain illustrates the efforts of the current government in southern Spain to establish flamenco music as a significant patrimonial symbol and marker of cultural identity. Further, it aims to demonstrate that these Andalusian efforts form part of the ambitious project of rethinking the nation-state of Spain, and of reconsidering the nature of national identity.
Flamenco Music and National Identity in Spain illustrates the efforts of the current government in southern Spain to establish flamenco music as a significant patrimonial symbol and marker of cultural identity. Further, it aims to demonstrate that these Andalusian efforts form part of the ambitious project of rethinking the nation-state of Spain, and of reconsidering the nature of national identity.
Professor Emeritus William Washabaugh, Department of Anthropology, University of Wisconsin-Milwaukee, USA.
Inhaltsangabe
General Editor's Preface Preface and Acknowledgements Chapter 1 Heritage Music Chapter 2 The Musical Style Called Flamenco Chapter 3 Indications of Flamenco Chapter 4 Flamenco Hybridity Chapter 5 Flamenco Transgressions Chapter 6 Three Legs Chapter 7 Autonomous Flamenco Chapter 8 Flamenco Cinema Chapter 9 Studio Flamenco Chapter 10 The Agony of Andalucía Postscript: UNESCO and Flamenco
General Editor's Preface Preface and Acknowledgements Chapter 1 Heritage Music Chapter 2 The Musical Style Called Flamenco Chapter 3 Indications of Flamenco Chapter 4 Flamenco Hybridity Chapter 5 Flamenco Transgressions Chapter 6 Three Legs Chapter 7 Autonomous Flamenco Chapter 8 Flamenco Cinema Chapter 9 Studio Flamenco Chapter 10 The Agony of Andalucía Postscript: UNESCO and Flamenco
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