Identifying narratives of gender, race and masculinity that defined Reagan's America, this text provides demonstrations of the synergy between polital history and popular culture. Films discussed include "Home Alone", "Beetlejuice", "Working Girl", "Trading Places and "The Little Mermaid". Texts are analysed through a variety of approaches, providing an overview of 1980s Hollywood output.
Identifying narratives of gender, race and masculinity that defined Reagan's America, this text provides demonstrations of the synergy between polital history and popular culture. Films discussed include "Home Alone", "Beetlejuice", "Working Girl", "Trading Places and "The Little Mermaid". Texts are analysed through a variety of approaches, providing an overview of 1980s Hollywood output.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Alan Nadel is Professor of Literature at Rensselaer Polytechnic Institute.
Inhaltsangabe
Introduction: Class, Film, and President Reagan's America 1. Back to the Futures Market: The Cinematic Realities and Trading Places of President Reagan's America 2. Flatlining on the Field of Dreams 3. The Pretty Woman, The Little Mermaid, and the Working Girl Become "Part of That World" 4. "I'm Not Really Bad. I'm Just Drawn That Way": The Compulsive-Attraction Film 5. Home and Homelessness Alone in John Hughes's America, or Dennis the Menace II Society 6. Seas of Love and Murderous Doubles: AIDS Narratives and the Dangers of the Other Conclusion: The Enduring Power of Reaganism and the Movies
Introduction: Class, Film, and President Reagan's America 1. Back to the Futures Market: The Cinematic Realities and Trading Places of President Reagan's America 2. Flatlining on the Field of Dreams 3. The Pretty Woman, The Little Mermaid, and the Working Girl Become "Part of That World" 4. "I'm Not Really Bad. I'm Just Drawn That Way": The Compulsive-Attraction Film 5. Home and Homelessness Alone in John Hughes's America, or Dennis the Menace II Society 6. Seas of Love and Murderous Doubles: AIDS Narratives and the Dangers of the Other Conclusion: The Enduring Power of Reaganism and the Movies
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