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"The carnation flower's scent is fragrant in the breeze. It wakes me so I escape the dark world of dreams." Awakening on the golden flower bridge of Bry, Fleur cannot remember how she came to be there. There are lingering fumes of smoke in the air and within her reach, lies her romantic partner, Sherwin's jacket. Wrapped around Fleur's wrist is a living, wild Carnation flower. Determined to find answers, Fleur travels back in time with the wild Carnation flower. As she revisits moments of yesterday, she engages with the living energies of her lifeworld. Slowly, Fleur unravels the lingering,…mehr

Produktbeschreibung
"The carnation flower's scent is fragrant in the breeze. It wakes me so I escape the dark world of dreams." Awakening on the golden flower bridge of Bry, Fleur cannot remember how she came to be there. There are lingering fumes of smoke in the air and within her reach, lies her romantic partner, Sherwin's jacket. Wrapped around Fleur's wrist is a living, wild Carnation flower. Determined to find answers, Fleur travels back in time with the wild Carnation flower. As she revisits moments of yesterday, she engages with the living energies of her lifeworld. Slowly, Fleur unravels the lingering, dark mystery behind Sherwin's disappearance. Award-winning Susan Marshall makes history in this publication. Drawing upon more than two decades of her experiences as a professional author, theatre practitioner and expert educator, she introduces a theoretical discourse and a practical framework for a new theatrical style for the stage. In her groundbreaking article: Theatre Playscapes: A New Theatrical Style, Susan examines the impacts of the twenty first century's unprecedented emphasis on individualism, within the constraints of globalisation. She argues that in our brave new world, the role of the theatre is vital in its abilities to empower our young people to choose to nurture their beings, develop autonomy and to connect with their lifeworlds. In this play, Fleur of Yesterday, we see Susan's work with the Theatre Playscapes style in practice. Inspired by her travels in France, Susan has engaged in extensive research into the science of plant breeding and has created a play that speaks for the precious life of the wild flower. Drawing upon the beauty of both the English and French languages, Susan creates an evocative, energetic and mysterious play for young adults.
Autorenporträt
Susan Marshall is a contemporary Australian novelist, fiction writer, poet, dramatist, essayist and theatre practitioner. She is renown for her unique attunement to the energetic motions of her lifeworlds (her playscapes) and how they set the spirit alight. Her body of work involves her drawing from such inspiration and blurring the distinctions between classical and contemporary writing and performance art techniques. Renown for their metaphysical presence and qualities, her professional publications and are currently available in more than 160 countries and territories around the globe. In her role as a theatre practitioner, Susan has acted, devised and directed a range of dramatic stage productions in Australia, including her portrayal of the protagonist in Virginia Baxter's "What Time is This House?" for the Melbourne Fringe Festival and her role in devising, scripting and acting in "Orb.IT", directed by Brett Adam for the Melbourne International Arts Festival. Susan also had the privilege of stage directing the Australian premiere production of Timothy Daly's "Beach: A Theatrical Fantasia" with a young cast. She has been trained by renowned professional performing artists in Australia, such as: Di Gagen, James Wardlaw, Geoff Wallis, Richard Keown, Geoffrey Milne and Julian Meyrick.In 2013, Susan released her first professional theatrical play: "Broken World," published by RMDesigned, which was launched at the AATE/ALEA National Conference in Melbourne and positively reviewed by the Children's Book Council of Australia. This was followed by her second play, "Indigo's Haven," also published by RMDesigned in 2016.Susan is an honoured recipient of the prestigious "Award for Special Civic Service," presented to her by the Mayor of Richmond, Victoria, for her extensive civic contributions to the city of Richmond and the Richmond City Council. The Award particularly recognises her outstanding efforts in assisting young people through her work on the Richmond Youth Work Project and the Richmond Youth Council.During the COVID-19 pandemic, Susan expanded her writing repertoire, completing a range of poetry and fiction that were published at Vocal Media in the U.S.A. Most notably, her short story: "Peonies for Masha: Her Journey Home" was shortlisted as a finalist in the Vocal+ Fiction Awards in 2022.In 2020, Susan founded Story Playscapes, her professional writing and publishing business. It is there that she runs her My Story Meadow project, which involves her providing global literacy development opportunities as she shares her poetic and fictional études with a global readership. At Story Playscapes, Susan also collaborates with the world-renown book designer, Ryan Marshall on the professional production of her written publications.In 2023, Story Playscapes published and released Susan's professional play publications: "Fleur of Yesterday" and "All the Hope We Carry". As the first two plays released in Susan's new Theatre Playscapes series, they officially present her monumental achievement: her new Theatre Playscapes theatrical style, developed for young performers, to readers and theatre makers around the world.In 2024, Story Playscapes has released Susan's novel: "Adira and the Dark Horse." It is the first book for adults in the new Adira Cazon Literary Mystery series. An atmospheric and gripping page turner, it unravels private detective Adira Cazon's journey as she attempts to outwit the dangerous dark horse. Story Playscapes will also release Susan's exclusive collection of 30 poems for adults: "Bare Spirit: The Selected Poems of Susan Marshall," where she further reveals how her attunement to the energetic motions of her lifeworlds, enables her to set the spirit alight. Susan's sensual verse draws upon breathtaking imagery to distil and transcend single moments, which can arise the 'bare spirit' from within.