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Examines the benefits of certain types of film nostalgia, while also critiquing how Hollywood's nostalgic representations of old technologies obscure important aspects of their histories. Jason Sperb interprets this affection for the prehistory and infancy of digital technologies in relation to an industry-wide anxiety about how the digital has grown to dominate Hollywood, pushing it into an uncertain future.

Produktbeschreibung
Examines the benefits of certain types of film nostalgia, while also critiquing how Hollywood's nostalgic representations of old technologies obscure important aspects of their histories. Jason Sperb interprets this affection for the prehistory and infancy of digital technologies in relation to an industry-wide anxiety about how the digital has grown to dominate Hollywood, pushing it into an uncertain future.
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Autorenporträt
JASON SPERB is a lecturer of film and media studies at Northwestern University in Evanston, Illinois. He is the author of Blossoms and Blood: Postmodern Media Culture and the Films of Paul Thomas Anderson and Disney’s Most Notorious Film: Race, Convergence, and the Hidden Histories of Disney’s “Song of the South.”