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Isabel Morales is a successful Chicago sculptor hiding a brutal family history--one not even her husband knows. After decades of turning her back on her past, she's forced to return to Appalachia when she receives news of her estranged mother's death. But going back means revisiting the traumatic childhood she escaped--and the family that cast her out when she needed them most. Back on the land she has inherited, she's flooded with memories of the forest where she once roamed free, of her beloved lost brother, and of the old house in the West Virginia hills where she grew up. Her mother has…mehr

Produktbeschreibung
Isabel Morales is a successful Chicago sculptor hiding a brutal family history--one not even her husband knows. After decades of turning her back on her past, she's forced to return to Appalachia when she receives news of her estranged mother's death. But going back means revisiting the traumatic childhood she escaped--and the family that cast her out when she needed them most. Back on the land she has inherited, she's flooded with memories of the forest where she once roamed free, of her beloved lost brother, and of the old house in the West Virginia hills where she grew up. Her mother has left her another legacy, too, which reveals secrets that Isabel is only beginning to understand. As forces bear down and threaten to take what she has left, it's time for Isabel to step into her power, reclaim her roots, and finally confront the painful memories that have kept her from the life she truly wants.
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Autorenporträt
Joy Castro is the award-winning author of the post-Katrina New Orleans literary thrillers Hell or High Water, which received the Nebraska Book Award, and Nearer Home; the story collection How Winter Began; the memoir The Truth Book; and the essay collection Island of Bones, which received the International Latino Book Award. She is also the editor of the anthology Family Trouble and served as the guest judge of CRAFT's first Creative Nonfiction Award. Her work has appeared in the New York Times Magazine, Senses of Cinema, Salon, Ploughshares, Gulf Coast, Brevity, Afro-Hispanic Review, and elsewhere. A former writer-in-residence at Vanderbilt University, she is currently the Willa Cather Professor of English and Ethnic Studies at the University of Nebraska-Lincoln.