Flint is Family in Three Acts - Frazier, LaToya Ruby
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Frazier first traveled to Flint in 2016, as part of a magazine commission to create a photo essay about the water crisis. During that trip she met Shea Cobb, a Flint poet, activist and mother who became Frazier's collaborator in what would evolve into a five-year body of work. Divided into three acts, Flint is Family follows Cobb as she fights for her family's and community's health and wellbeing. Act I introduces Cobb, her family and The Sister Tour, a collective of women artists. Cobb lives with her mother and her daughter, Zion. She works as a school bus driver and hairstylist, while…mehr

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Produktbeschreibung
Frazier first traveled to Flint in 2016, as part of a magazine commission to create a photo essay about the water crisis. During that trip she met Shea Cobb, a Flint poet, activist and mother who became Frazier's collaborator in what would evolve into a five-year body of work. Divided into three acts, Flint is Family follows Cobb as she fights for her family's and community's health and wellbeing.
Act I introduces Cobb, her family and The Sister Tour, a collective of women artists. Cobb lives with her mother and her daughter, Zion. She works as a school bus driver and hairstylist, while launching her career as a poet, writer and singer. To protect her daughter's health, Cobb makes the critical decision to leave her mother and friends behind and make the reverse migration to Mississippi, where her father resides on family-owned land. Act II follows Cobb and Zion to Newton, Mississippi, where they move in with Cobb's father, Douglas R. Smiley. There they learn how to take care of their Tennessee Walking Horses, as well as the land and fresh water springs they will one day inherit. Due to segregation and discrimination in the Newton County school system, Cobb and Zion eventually return to Flint. Act III documents the arrival of a 26,000-pound atmospheric water generator to Flint in 2019 that Frazier, Cobb and her best friend Amber Hasan-a hip-hop artist, herbalist and community organizer- helped set up and operate in their neighborhood.
Spurred by the lack of mass-media interest in the impact of this ongoing crisis and inspired by the collaborative work of Gordon Parks and Ralph Ellison in 1940s Harlem, Frazier's approach ensures that the lives and voices of Flint's residents are seen and heard and that their collective creative endeavors provide a solution to this man-made water crisis. Flint is Family in Three Acts is a twenty-first- century survey of the American landscape that reveals the persistent segregation and racism which haunts it. It is also a story of a community's strength, pride, and resilience in the face of a crisis that is still ongoing.
Co-published with The Gordon Parks Foundation
Autorenporträt
LaToya Ruby Frazier was born in 1982 in Braddock, Pennsylvania. Her artistic practice spans a range of media, including photography, video and performance, and centers on the nexus of social justice, cultural change and commentary on the American experience. In various interconnected bodies of work, Frazier uses collaborative storytelling with the people who appear in her artwork to address industrialism, Rust Belt revitalization, environmental justice, access to healthcare, family, and communal history. Her work is held in numerous national and international museum collections. Frazier has received the prestigious Guggenheim Fellowship (2014) and MacArthur Fellowship (2015), among other honors. Her first book, The Notion of Family (2014), received the International Center for Photography Infinity Award. Frazier is an associate professor of photography at the School of the Art Institute of Chicago where she currently lives and works
Rezensionen

Perlentaucher-Notiz zur Süddeutsche Zeitung-Rezension

Rezensent Andrian Kreye geht der Fotoband von LaToya Ruby Frazier über die Wasserkrise in Flint, Michigan an die Substanz. Die Bilder der von Trinkwasserverunreiningung betroffenen Menschen, vor allem armer Afroamerikaner, erinnern ihn an diejenigen des Fotoreporters W. Eugene Smith von der Meeresvergiftung vorm japanischen Minamata in den frühen 1970ern. Wie auf den Fotos das Drama in kleinen Gesten offenbar wird (etwa beim Zähneputzen mit abgepacktem Wasser), scheint Kreye die Meisterschaft der Fotografin zu belegen. In den Bildern von der Umweltkatastrophe spiegelt sich nicht zuletzt ein neuer Klassenkampf, meint der Rezensent.

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