Anastasia Samoylova, Walker Evans

Buch mit Leinen-Einband

Floridas

Beschreibung

Sunshine state. Swampland paradise. Tourist aspiration. Real estate racket. Refuge of excess. Political swing-state. Sub-tropical fever dream. With forms of nature and culture found nowhere else, Florida is unique. It is also among the most elusive and misunderstood of places. Anastasia Samoylova photographs Florida on intensive road trips. Walker Evans (1903-75) photographed it over four decades. Twisting the visual clichés, these two remarkably discerning observers convey Florida's dizzying combination of fantasy and reality.
Evans witnessed modern Florida emerging in the 1930s, with its blend of cultures, waves of tourism, stark beauty and blatant vulgarity. He photographed there until the 1970s, making Polaroids that still feel contemporary. Samoylova inherits what Evans saw coming. With intelligence and humor, she picks her way through the seductions and disappointments of a place that symbolizes the contradictions of the United States today. In Floridas, photographs by Samoylova and Evans are presented in parallel, weaving past and present, switching between black-and-white and color imagery, all complemented by an essay by editor David Campany and a visionary short story by celebrated novelist and Florida resident Lauren Groff.

Autor

Born in Moscow in 1984, Anastasia Samoylova moves between observational photography and studio practice. Recent exhibitions include those at Kunst Haus Wien, Kunsthalle Mannheim, USF Contemporary Art Museum, the Orlando Museum of Art, The Print Center and the Chrysler Museum of Art. Her work is held in the Wilhelm Hack Museum, Perez Art Museum Miami and the Museum of Contemporary Photography, Chicago, among other collections. Steidl published Samoylova's FloodZone in 2019. Walker Evans (1903-75) is an acknowledged master of photography whose diverse body of work continues to shape our understanding of the modern era. Evans began photographing in the 1920s, moving quickly to define his aesthetic and subject matter: straight and sober images of American everyday life and its environs. Within a decade he had produced some of the most significant photographs of the twentieth century, exhibited at the Museum of Modern Art and published two landmark books: American Photographs (1938) and Let us now Praise Famous Men with James Agee (1941). Evans wrote art and film reviews for Time (1943-45), was employed by Fortune between 1945 and '65 and taught at Yale thereafter. Steidl has published Lyric Documentary (2006), Walker Evans: the magazine work (2014) and Double Elephant (2015).

Produktdetails

• Verlag: Steidl
• Seitenzahl: 192
• Erscheinungstermin: 3. März 2022
• Englisch
• Abmessung: 313mm x 264mm x 22mm
• Gewicht: 1650g
• ISBN-13: 9783969990070
• ISBN-10: 3969990076
• Artikelnr.: 62943331

Rezensionen

Perlentaucher-Notiz zur Süddeutsche Zeitung-Rezension

Anastasia Samoylova zeichnet mit ihrem Foto-Band das bedrückende Porträt einer Katastrophe, die im vollen Gange ist. Ihr Ausgangspunkt, erklärt Rezensent Andrian Keye, sind die Bilder es US-amerikanischen Fotografen Walker Evans, dessen Spuren sie durch ihre eigene Heimat Florida führen. Jenen "topografischen Wurmfortsatz", schreibt Kreye, der nicht so recht dazu zu gehören scheint zum Rest der USA und an dem doch so etwas wie eine Konzentration oder Kondensation stattfindet, wo der American Dream zum, wie Samoylova sagt: "subtropischen Fiebertraum" zusammenschmilzt. Diese Ambivalenz des Fiebertraums ins Bild zu fassen, diese grelle Urlaubskarten-Welt zu entzaubern, und zwar ohne ästhetische Kniffe und Klischees, ist eine große Kunst, so der Rezensent, eine Kunst, die Samoylova beherrscht.

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