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If we are to save the planet, if we are to save democracy we must create a new way. That new way is Fluidity. Put universal income with a new currency and a monetary flow siphon and you have a stable base to build anew. In two parts and 300+ pages David J Campbell tells us why our economic and social systems are flawed and how to fix them. This is not a flippant ""we should do this"" or ""we could implement that"" but rather a simple but profound change that harmonises the revolutions that are already radically changing our lives. Embracing technological change and innovation, from AI to…mehr

Produktbeschreibung
If we are to save the planet, if we are to save democracy we must create a new way. That new way is Fluidity. Put universal income with a new currency and a monetary flow siphon and you have a stable base to build anew. In two parts and 300+ pages David J Campbell tells us why our economic and social systems are flawed and how to fix them. This is not a flippant ""we should do this"" or ""we could implement that"" but rather a simple but profound change that harmonises the revolutions that are already radically changing our lives. Embracing technological change and innovation, from AI to cryptocurrencies, Fluidity says a lack of work is a good thing. More leisure makes us happier, healthier, smarter and thus more inventive. We do not need our leaders to make these changes but rather we can create a new socioeconomic system in parallel with the old. It will make you question your beliefs. It will inspire you. It will give you answers. Fluidity is the future.
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Autorenporträt
After high school I worked on crews that travelled the U.S. doing field work for topographic maps. At age 21 I decided to be a painter and went to the Art Students League in New York, an atelier school in which students choose artist/instructors and work in studios free of academic requirements. I soon learned I would be a landscape painter (my preference for the outdoors asserting itself). During my second year at the League I was drafted into the Army for 2 years- in Korea for one of those years. Upon discharge I went to Italy, worked at landscape painting and discovered my passion for poetry, learning what I could by reading the great poetry of the past. In Florence I married an Englishwoman and had one daughter. Eventually we decided to separate. I returned to the U.S. after 7 years, realizing that in Italy I would forever be a visitor, and to develop in art I had to live within my native culture and landscape. I have lived in New York, Maine and now Massachusetts, making a living as a housepainter and carpenter, all the while continuing to write and paint, showing in New York and Boston galleries and beginning to publish poems, eventually in the Goose River annual Anthologies, leading up to this, my first published collection. I am married to Patricia Cobb, a visual artist, and we have two grown daughters.