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A reissue of Greg Tate's classic, out-of-print collection of essays, with a new introduction by Hanif Abdurraqib and a new foreword by Questlove. From one of the most original, creative, and provocative culture critics comes an eye-opening collection of essays and tales about American music and culture. Under the guise of writing about a single subject, Greg Tate's essays in Flyboy in the Buttermilk branch out from his usual and explore social, pop cultural, political, and economic subjects. Taking on a wide diversity of topics-from the rise of hip-hop; the art of JeanMichel Basquiat; the…mehr

Produktbeschreibung
A reissue of Greg Tate's classic, out-of-print collection of essays, with a new introduction by Hanif Abdurraqib and a new foreword by Questlove. From one of the most original, creative, and provocative culture critics comes an eye-opening collection of essays and tales about American music and culture. Under the guise of writing about a single subject, Greg Tate's essays in Flyboy in the Buttermilk branch out from his usual and explore social, pop cultural, political, and economic subjects. Taking on a wide diversity of topics-from the rise of hip-hop; the art of JeanMichel Basquiat; the music of Miles Davis, James Brown, Jimi Hendrix, Bad Brains, and many others; to the crisis of the Black intellectual and the irony of the GOP recruiting Black Americans- Tate writes in a brave and distinctive voice that is angry, joyous, anxious, and funny. In every piece of this collection, Tate offers informed insight into where America is going and why.
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Autorenporträt
Greg Tate (1957-2021) was a music and popular-culture critic and journalist whose work appeared in many publications, including The Village Voice, Vibe, Spin, The Wire, and Downbeat. He was the author of Flyboy in the Buttermilk: Essays on Contemporary America and Midnight Lightning: Jimi Hendrix and the Black Experience and the editor of Everything but the Burden: What White People Are Taking from Black Culture. He won a posthumous Pulitzer Prize in 2024 in recognition of his pioneering work. Tate, via guitar and baton, also led the conducted improvisation ensemble Burnt Sugar the Arkestra Chamber, which toured internationally