Focus: Music in Contemporary Japan explores a diversity of musics performed in Japan today, ranging from folk song to classical music, the songs of geisha to the screaming of underground rock, with a specific look at the increasingly popular world of tsiko (ensmble drumming). Discussion of contemporary musical pract
Focus: Music in Contemporary Japan explores a diversity of musics performed in Japan today, ranging from folk song to classical music, the songs of geisha to the screaming of underground rock, with a specific look at the increasingly popular world of tsiko (ensmble drumming). Discussion of contemporary musical pract
Jennifer Milioto Matsue is an Associate Professor at Union College and specializes in modern Japanese music and culture.
Inhaltsangabe
List of Figures Musical Examples on Compact Disc List of Examples on Companion Website About the Author Series Foreword by Michael B. Bakan Preface Maps East Asian Historical Periods Part I. Japanese Music and Culture 1. Japanese Music in Geographical, Historical and Cultural Context 2. Japanese Cultural Identity and Musical Modernity Part II. Sounding Japan 3. Performing Music of the Pre-Modern Era 4. Making Music in the Modern Era Part III. Focusing In: Identity, Meaning and Japanese Drumming in Kyoto 5. Taiko and the Marketing of Tradition in Kyoto 6. Four Case Studies and Some Conclusions: Tosha R etsu and the Pontoch Okeiko Basara and the One-Room Schoolhouse Matsuri-sh and the Kyoto Taiko Center Murasaki Daiko and the Proper D j 7. Conclusion: The Future of Japanese Music Appendices: A. "Echigojishi" (Yoshizumi Koj r -fu for shamisen) B. "Echigojishi" (Kineya bunkafu for shamisen) C. "Echigojishi" (Japanese score for ko-tsuzumi and -tsuzumi by Tosha R etsu) D. "Echigojishi" (Western score for ko-tsuzumi and -tsuzumi by Yamauchi Reach) Glossary Additional Resources
List of Figures Musical Examples on Compact Disc List of Examples on Companion Website About the Author Series Foreword by Michael B. Bakan Preface Maps East Asian Historical Periods Part I. Japanese Music and Culture 1. Japanese Music in Geographical, Historical and Cultural Context 2. Japanese Cultural Identity and Musical Modernity Part II. Sounding Japan 3. Performing Music of the Pre-Modern Era 4. Making Music in the Modern Era Part III. Focusing In: Identity, Meaning and Japanese Drumming in Kyoto 5. Taiko and the Marketing of Tradition in Kyoto 6. Four Case Studies and Some Conclusions: Tosha R etsu and the Pontoch Okeiko Basara and the One-Room Schoolhouse Matsuri-sh and the Kyoto Taiko Center Murasaki Daiko and the Proper D j 7. Conclusion: The Future of Japanese Music Appendices: A. "Echigojishi" (Yoshizumi Koj r -fu for shamisen) B. "Echigojishi" (Kineya bunkafu for shamisen) C. "Echigojishi" (Japanese score for ko-tsuzumi and -tsuzumi by Tosha R etsu) D. "Echigojishi" (Western score for ko-tsuzumi and -tsuzumi by Yamauchi Reach) Glossary Additional Resources
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